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A drawing of a woman and child standing.

The drawing in graphite on white paper depicts a woman standing center-page in three quarters facing left; her gaze directed at the viewer, with a girl leaning against her on the left. The woman wears a long dress with a frilled collar; a shawl over draped around her left elbow. She wears her hair up with drop earrings. Her left hand holds the girl’s right hand, and her right hand rests on the girl’s shoulder. The girl wears a dress and is facing the viewer directly. There is written script in the lower left corner.

Identification and Creation

Object Number
1943.843
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Portrait of Madame Charles Hayard and Her Daughter Caroline
Classification
Drawings
Work Type
drawing
Date
1815
Culture
French
Persistent Link
https://hvrd.art/o/297942

Physical Descriptions

Medium
Graphite on white wove paper
Dimensions
29.2 x 22 cm (11 1/2 x 8 11/16 in.)

Provenance

Recorded Ownership History
Ingres to Charles-Roch Hayard; his widow, Mme Hayard, by 1839; her daughter Mme Félix Duban, née Marguerite-Françoise Hayard, by 1854; her sister Mme Frédéric Flachéron (formerly Mme Edmond Duvivier), née Carloine-Julie-Antoinette Hayard, by 1881; her son Félix-Raphaël-Alexandre Flachéron, by 1894; Scott and Fowles, New York, by or in October 1922; acquired from them by Grenville L. Winthrop, October 1922 ($2,500); his bequest to the Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.843
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Emile Galichon, "Descriptions des dessins de M. Ingres exposés au Salon des Arts-Unis", Gazette des Beaux-Arts (March 15, 1861), vol. IX, no. 6, pg. 359
  • Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J. Renouard (Paris, France, 1870), pg. 237 (as coll. M. Duban)
  • Henri, Vicomte Delaborde, Ingres, sa vie, ses travaux, sa doctrine, d'apres les notices manuscrites et les lettres du maitre, H. Plon (Paris, France, 1870), pg. 300, no. 322
  • Georges Duplessis, Les portraits dessinés par J.-A.-D. Ingres, avec vingt photogravures par E. Charreyre, J. Rothschild (Paris, 1896), pg. 11, no. 13 (mistakenly as coll. Mme Flachéron), pl. 13
  • Henry Lapauze, Les dessins de J.-A.-D. Ingres du Musée de Montauban, J. E. Bulloz (Paris, France, 1901), pg. 266
  • Henry Lapauze, Ingres, sa vie & son oeuvre, G. Petit (Paris, France, 1911), pg. 155, repro. (as coll. M. Flachéron)
  • Louis Hourticq, Ingres: l'oeuvre du maitre, Hachette (Paris, France, 1928), pg. 45, repro.
  • Agnes Mongan, "Drawings by Ingres in the Winthrop Collection", Gazette des Beaux-Arts (July-December 1944), ser. 6, 26, pp. 391, 393, fig. 3
  • Otto Benesch, "The Winthrop Collection: From Neo-Classic to Romanticism; David, Ingres, Géricault", Art News (January 1-14, 1944), vol. 42, no. 16, pp. 9-10, 20-21, 32, p. 32
  • Daniel Ternois, Les dessins d'Ingres au Musée de Montauban: les portraits, Les Presses Artistique (Paris, France, 1959), above no. 72
  • Hans Naef, "Ingres et la famille Hayard", Gazette des beaux-arts (January 1966), ser. 6, 67, pp. 40, 45, fig. 6, 46
  • Norman Schlenoff, "Ingres Centennial at the Fogg Museum", The Burlington Magazine (1967), vol. CIX, pg. 379
  • Waldemar George, Dessins d'Ingres, Editions du Columbier/A. Michel (Paris, 1967), pp. 41, 42, repro.
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 28, pp. 245-246, repr.
  • John Rowlands, "Treasures of a Connoisseur: The César de Hauke Bequest", Apollo (1968), 88, pg. 44
  • Marjorie B. Cohn, "The Original Format of Ingres Portrait Drawings", Colloque Ingres, Dupin (Montauban, France, 1969), pg. 21
  • The Age of Neo-Classicism, exh. cat., Royal Academy and Victoria and Albert Museum (London, England, 1972), pg. 933, under 663
  • Valentina N. Berezina, "Portrait de Mme Hayard et de sa fille Caroline", Bulletin du Musée Ingres (1974), no. 36, pp, 7, 10
  • Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres (Bern, Switzerland, 1978), vol. 1, pp. 451-69, fig. 3; vol. 4, pp. 240-41, no. 132 repro
  • Richard Newman, "The Microtopography of Pencil Lead in Drawings: A Preliminary Report", Papers Presented at the Art Conservation Training Programs Conference, Henry Francis DuPont Winterthur Museum (Wilmington, DE, 1980), pg. 42, fig. 9
  • Daniel Ternois, Ingres, Editions Nathan (Paris, France, 1980), pg. 60
  • Georges Vigne, Dessins d'Ingres: Catalogue raisonné des dessins du musée de Montauban, Gallimard/Reunion des Musées Nationaux (Paris, France, 1995), pp. 480, 508, under no. 2811, repro. above no. 2671
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 219, repr.
  • Aileen Ribeiro, Ingres in Fashion: Representations of Dress and Appearance in Ingres's Images of Women, Yale University Press (New Haven, CT and London, England, 1999), pp. 54, 55, pl. 27
  • Gary Tinterow and Philip Conisbee, Portraits by Ingres: Image of an Epoch, exh. cat., The Metropolitan Museum of Art (New York, NY, 1999), p. 174
  • Vincent Pomarède, "La Collection Winthrop: A la recherche de la beauté pure", L'Estampille/L'Objet d'art (April 2003), no. 379, pp. 34-45, p. 43
  • Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 56, repr. (color)
  • Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 56, repr.
  • Perrin Stein, French Drawings from the British Museum: Clouet to Seurat, exh. cat., British Museum Press/Metropolitan Museum (New York NY, 2005), p. 172, fig. 1
  • Vincent Pomarède, Stéphane Guégan, Louis-Antoine Prat, and Eric Bertin, Ingres 1780-1867, exh. cat., Editions Gallimard (Paris, France, 2006), ill. 151, pp. 202, 204
  • Louis-Antoine Prat, Le dessin français au XIXe siècle, Somogy Éditions d'Art (Paris, 2011), pp. 158-159
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), pp. 156-158, repr. p. 156 as fig. 3

Exhibition History

  • Dessins [d'Ingres] tirés de collections d'amateurs (2nd series)., Salon des Arts-Unis, Galerie Martinet, Paris, 01/01/1861 - 01/01/1861
  • Tableaux, etudes peintes, dessins et croquis de J.-A.-D. Ingres peintre d'histoire, sénateur, membre de l'Institut, École Impériale des Beaux-Arts, Paris, 04/10/1867 - 12/31/1867
  • Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944
  • Drawings from the Fogg Museum of Art, Harvard University (Collected by Paul J. Sachs), Century Club, New York, 05/12/1947 - 09/25/1947
  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
  • Works by J.-A.-D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum, Cambridge, 10/17/1980 - 12/07/1980
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu