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A drawing of a woman touching her face.

The drawing in black chalk on white paper depicts a woman from the waist up, her left arm cropped by the edge of the paper. She leans against a cushion propped under her right arm, and her right hand rests on her right cheek, with her index finger in her pulled-back hair. She wears a short-sleeved dress with a V-shaped neckline. In the upper left of the image is a less detailed drawing of the same woman, depicting the hand positioned differently on the woman’s cheek.

Identification and Creation

Object Number
1932.178
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Study for the Portrait of Mme Moitessier; verso: Study of a Figure for "Christ Among the Doctors"
Classification
Drawings
Work Type
drawing
Date
c. 1847
Culture
French
Persistent Link
https://hvrd.art/o/297912

Physical Descriptions

Medium
Black chalk over graphite, squared in graphite, on white wove paper; verso: graphite, squared.
Dimensions
18.7 x 20 cm (7 3/8 x 7 7/8 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser
Accession Year
1932
Object Number
1932.178
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), no. 706
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 97, repr.
  • Marjorie B. Cohn and Susan L. Siegfried, Works by J. A. D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, 1980), pp. 135-137, cat. no. 48, repr. pp. 136-137
  • John Spike, "Ingres at the Fogg Art Museum", The Burlington Magazine (1981), vol. 123, no. 936, p. 190
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 245, repr.
  • Ann Dumas and Colta Ives, The Private Collection of Edgar Degas, exh. cat., Metropolitan Museum of Art / Harry N. Abrams, Inc. (New York, NY, 1997), p. 26, fig. 24
  • Colta Ives, The Private Collection of Edgar Degas: A Summary Catalogue, The Metropolitan Museum of Art (New York, NY, 1997), no. 637, repr.
  • David Acton, Master Drawings from the Worcester Art Museum, exh. cat., Hudson Hills Press/Worcester Art Museum (New York, NY, 1998), under no. 60 (note 4)
  • Gary Tinterow and Philip Conisbee, Portraits by Ingres: Image of an Epoch, exh. cat., The Metropolitan Museum of Art (New York, NY, 1999), cat. no. 135, repr. (color)
  • Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 119 ("Cartella con quattro stelle nere")
  • Jane Munro, Degas: A Passion for Perfection, exh. cat., Fitzwilliam Museum and Yale University Press (U.S.) (Cambridge, 2017), p. 64, fig. 50
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), pp. 83-84, repr. p. 83 as fig. 6
  • William A. Berry, Drawing the Human Form: Methods, Sources, Concepts, third edition, 2024, pp. 82-83, repr. as fig. 3-82

Exhibition History

  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
  • The Private Collection of Edgar Degas, The Metropolitan Museum of Art, New York, 10/01/1997 - 01/11/1998
  • Portraits by Ingres: Image of an Epoch, National Gallery, London, 01/27/1999 - 04/25/1999; The Metropolitan Museum of Art, New York, 10/05/1999 - 01/02/2000

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu