Harvard Art Museums / Fogg Museum | Busch-Reisinger Museum | Arthur M. Sackler Museum

Object Number

1943.652

People

Aubrey Vincent Beardsley, British (Brighton, England 1872 - 1898 Menton, France)

Title

The Dancer's Reward

Other Titles

Series/Book Title: Salome

Classification

Drawings

Work Type

drawing

Date

1893

Culture

British

Persistent Link

https://hvrd.art/o/297896

Medium

Black ink and graphite on white wove paper

Dimensions

23 x 16.5 cm (9 1/16 x 6 1/2 in.)

Inscriptions and Marks

• Signed: l.l: decorated version of the Japanese monogram

Standard Reference Number

Zatlin 873

Credit Line

Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop

Accession Year

1943

Object Number

1943.652

Division

European and American Art

Contact

am_europeanamerican@harvard.edu

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Aubrey Vincent Beardsley and Aymer Vallance, A Book of Fifty Drawings, Leonard Smithers (London, 1897), pg. 207, no. 22, repr.

Aubrey Vincent Beardsley and Henry Currie Marillier, The Early Work of Aubrey Beardsley, John Lane (London, 1899), no. 36, repr.

Joseph Pennell, Catalogue of an Exhibition of Original Drawings by Aubrey Beardsley, exh. cat., Brooklyn Museum (Brooklyn, NY, 1923), no. 30

Blake to Beardsley: A Century of English Illustrators, exh. cat., Fogg Art Museum (Cambridge, MA, 1944), no. 3

Albert E. Gallatin, Aubrey Beardsley: Catalogue of Drawings and Bibliography, The Grolier Club (New York, NY, 1945), no. 887

Brian Reade, Aubrey Beardsley, Viking Press (New York, 1967), no. 282, repr.

Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), p. 244

Donald Thomas, The Marquis de Sade, New York Graphic Society (Boston, MA, 1976), repr. p. 177

Kenneth Clark, The Best of Aubrey Beardsley, J. Murray (London, 1979), no. 22, repr.

A.M. Hammacher, Phantoms of the Imagination: Fantasy in Art and Literature from Blake to Dali, Harry N. Abrams, Inc. (New York, NY, 1981), fig. 95, p. 112

Simon Wilson, Beardsley (revised edition), Phaidon Books (Oxford, 1983), no. 21, repr.

Linda Gertner Zatlin, Aubrey Beardsley and Victorian Sexual Politics, The Clarendon Press (Oxford, England, 1990), p. 94, fig. 50, repr.

Jeffrey Wallen, "Illustrating Salome: Perverting the Text?", Word and Image (April 1992 - June 1992), vol. 8, no. 2, repr. fig. 7

Mark Samuels Lasner, "The Pursuit of the Rare: Three Early Beardsley Collectors", Gazette of the Grolier Club (2000), no. 51, p. 17, note 34

Chikashi Kitazaki and Mina Oya, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, 2002), cat. no. 48-8, repr. (color)

Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 140, repr. (color)

Christopher Riopelle, Harvard's Winthrop Collection: Nineteenth-Century Paintings and Drawings from the Grenville L. Winthrop Collection, exh. cat., National Gallery Company Limited (London, 2003), p. 23, cat. 10, ill.

Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 140, repr.

Steven Ledbetter, "Richard Strauss: 'Salome,' Opera in one act, Opus 54", Boston Symphony Orchestra (Boston, 2014), pp. 29-37, repr. p. 31

Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, Yale University Press (U.S.) (New Haven and London, 2016), vol. 2, no. 873, pp. 11, 18, 21, 38-40, 42, 110, repr. p. 39, detail repr. p. 2

Carey Dunne, Flowers of Evil and the Macabre Literary Imagination of Symbolism, Hyperalleric (July 4, 2016), [e-journal], http://hyperallergic.com/305877/flowers-of-evil-and-the-macabre-literary-imagination-of-symbolism/, accessed January 9, 2017

Franklin Einspruch, Fuse Visual Art Review: A Pair of Drawing Shows at the Harvard Art Museums, The Arts Fuse ([e-journal], June 9, 2016), http://artsfuse.org/146319/fuse-visual-arts-review-a-pair-of-drawing-shows-at-the-harvard-art-museums/, accessed June 9, 2016

Première salon de La Libre Esthétique, National Gallery, Brussels, 02/17/1894 - 03/15/1894

Secession VIII Kunstausstellung: Zeichnende Kunst, [Unknown venue, Berlin], 12/01/1903 - 01/31/1904

A Selection of Drawings by Aubrey Beardsley, Carfax and Co., London, 10/01/1904 - 10/31/1904

Aubrey Beardsley, 1872-1898, Galeries Shirley, Paris, 02/01/1907 - 02/28/1907

Exhibition of Drawings by Aubrey Beardsley, Baillie Gallery, London, 08/01/1909 - 09/30/1909

International Fine Arts Exhibition: British Section, British Fine Art Palace, Rome, 04/01/1911 - 10/31/1911

British Section of the International Exhibition of Book Industry and Graphic Arts: Illustration for Books, Internationale Ausstellung für Buchgewerbe und Graphic, Leipzig, 01/01/1914

An Exhibition of Original Drawings by Aubrey Beardsley, Brooklyn Museum, 12/19/1923 - 01/31/1924; Milwaukee Art Institute, 10/01/1924 - 10/30/1924; Cincinnati Art Museum, Cincinnati, 11/01/1924 - 11/30/1924; Memorial Art Gallery, University of Rochester, Rochester, 11/29/1924 - 12/31/1924

Blake to Beardsley: A Century of English Illustrators, Fogg Art Museum, Cambridge, 06/01/1944 - 06/30/1944

The Age of Romanticism, Busch-Reisinger Museum, Cambridge, 03/15/1986 - 05/18/1986

Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002

A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu