Add to Collection

Add this item to an existing or new collection.
Harvard Art Museums
Incorrect Username, Email, or Password
Illustration for the cover of The Savoy magazine with a woman and a mischievous cherub strolling through a park.

In this cover design for The Savoy magazine, the publication title runs across the top of the sheet, set in all capital letters in a serif font. Below the title is an illustration of a young woman strolling through a park, accompanied by a small cherub carrying a staff. She is wearing a long coat and gloves, and holds a whip in her right hand. The cherub is also wearing a long coat, but as he takes a step forward, he pulls it back to reveal his nude frontside.

Identification and Creation

Object Number
1943.629
People
Aubrey Vincent Beardsley, British (Brighton, England 1872 - 1898 Menton, France)
Title
Cover for "The Savoy," issue no. 1
Classification
Drawings
Work Type
drawing
Date
1895
Culture
British
Persistent Link
https://hvrd.art/o/297891

Physical Descriptions

Medium
Black ink and graphite on white wove paper, laid down
Dimensions
30.5 x 23 cm (12 x 9 1/16 in.)
Inscriptions and Marks
  • Signed: black ink, l.r.: Aubrey Beardsley. 1896

State, Edition, Standard Reference Number

Standard Reference Number
Zatlin 991

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.629
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Blake to Beardsley: A Century of English Illustrators, exh. cat., Fogg Art Museum (Cambridge, MA, 1944), no. 5
  • Milly Heyd, Aubrey Beardsley: symbol, mask, and self-irony, Peter Lang (New York, NY, 1986), pp. 17-18, repr. fig. 2
  • Linda Gertner Zatlin, Aubrey Beardsley and Victorian Sexual Politics, The Clarendon Press (Oxford, England, 1990), p. 127, fig. 79
  • Chris Snodgrass, Aubrey Beardsley: Dandy of the Grotesque, Oxford University Press (NY) and Oxford University Press (UK) (New York, NY and Oxford, England, 1995), fig. 1-3, p. 9
  • Lionel Lambourne, The Aesthetic Movement, Phaidon (London, England, 1996), repr. p. 219
  • Allison Pease, Modernism, Mass Culture, and the Aesthetics of Obscenity, Cambridge University Press (Cambridge, 2000), p. 112, repr. p. 113 as fig. 12
  • Alan Hollinghurst, "A Little Indecent" [review of Linda Gertner Zatlin, "Aubrey Beardsley: A Catalogue Raisonné"], Apollo (July/August 2016), pp. 104-105, repr. p. 105 as fig. 2
  • Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, Yale University Press (U.S.) (New Haven and London, 2016), vol. 2, no. 991, pp. 244-246, repr. p. 246
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), p. 49, repr. p. 49 as fig. 7

Exhibition History

  • Blake to Beardsley: A Century of English Illustrators, Fogg Art Museum, Cambridge, 06/01/1944 - 06/30/1944
  • Portrait, Prospect and Poetry: British Drawings from the Grenville L. Winthrop Bequest, Harvard University Art Museums, Cambridge, 09/11/1993 - 11/07/1993

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu