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Identification and Creation

Object Number
1938.59
People
Attributed to Adriaen van de Velde, Dutch (Amsterdam, Netherlands 1636 - 1672 Amsterdam, Netherlands)
Title
Two Blocked-up Windows of a Ruined House
Classification
Drawings
Work Type
drawing
Date
17th century
Culture
Dutch
Persistent Link
https://hvrd.art/o/297785

Physical Descriptions

Medium
Brown wash, brown ink, and graphite on cream antique laid paper, framing line in brown ink, mounted on antique laid paper
Dimensions
18.5 x 12.5 cm (7 5/16 x 4 15/16 in.)
mount: 19.3 x 13.2 cm (7 5/8 x 5 3/16 in.)
Inscriptions and Marks
  • inscription: verso, mount, upper left, black ink: 20 [encircled]
  • inscription: verso, mount, center, graphite: 105
  • inscription: mount, verso, center left, graphite: Lot 67
  • inscription: verso, mount, center right, graphite: French school / XVII cent
  • inscription: verso, upper right, graphite: M
  • watermark: none visible

Provenance

Recorded Ownership History
Therese Kuhn Straus (Mrs. Herbert Straus), New York, gift; to Fogg Art Museum, 1938

Published Text

Catalogue
Drawings from the Age of Bruegel, Rubens, and Rembrandt: The Complete Collection Online
Authors
Multiple authors
Publisher
Harvard Art Museums (Cambridge, MA, 2017–)

Entry by William W. Robinson, completed March 07, 2019:

Painter and etcher Adriaen van de Velde specialized in pastoral landscapes, often with Italianate settings. He also depicted beaches, winter scenes, portraits, and biblical and mythological subjects.1 He ranks among the most versatile Dutch draftsmen of the 17th century. His extensive oeuvre of drawings includes landscape sketches, compositional projects for paintings and prints, a few finished watercolors, and detailed studies of figures and animals. More than 50 drawings relating to Van de Velde’s paintings and etchings have survived, affording a rare glimpse of the working process of a Dutch landscapist.2

Formerly assigned to the French school, this study of a dilapidated, overgrown wall is more likely by a Dutch Italianate draftsman of the second half of the 17th century.3 Elements of its technique, specifically the foliage at upper left drawn with zigzag brushstrokes and the loosely washed shadows on the wall, bear some resemblance to the handling of works by Van de Velde.4 However, the similarity is not entirely compelling, and we do not know comparable studies of architectural details by Van de Velde, so the attribution to him must remain tentative.

Notes

1 Bart Cornelis and Marijn Schapelhouman, Adriaen van de Velde: Dutch Master of Landscape (London: Paul Holberton Publishing, 2016), pp. 11–39.

2 On Van de Velde’s drawings, see Peter Schatborn, “‘De Hut’ van Adriaen van de Velde,” Bulletin van het Rijksmuseum 23 (3) (1975): 159–65; William W. Robinson, “Preparatory Drawings by Adriaen van de Velde,” Master Drawings 17 (1) (Spring 1979): 3–23; Peter Schatborn, Dutch Figure Drawings from the Seventeenth Century (Amsterdam: Rijksmuseum; Washington, D.C.: National Gallery of Art, 1981), pp. 116–19; Angelique van den Eerenbeemd, “Adriaen van de Velde: De Italianiserende tekeningen: een onderzoek naar de herkomst van enkele motieven,” Ph.D. dissertation, Radboud University Nijmegen, 2000; Angelique van den Eerenbeemd, “De Italianiserende Tekeningen van Adriaen van de Velde,” Delineavit et Sculpsit 30 (November 2006): 1–64; and Cornelis and Schapelhouman, Adriaen van de Velde: Dutch Master of Landscape, pp. 141–215.

3 Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art (Cambridge, Mass.: Harvard University Press, 1940), vol. 1, cat. 609, categorized as French, 17th century, without further comment.

4 Cornelis and Schapelhouman, Adriaen van de Velde: Dutch Master of Landscape, cats. 31, 43, 53.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mrs. Herbert N. Straus
Accession Year
1938
Object Number
1938.59
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), no. 609

Subjects and Contexts

  • Dutch, Flemish, & Netherlandish Drawings

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu