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Identification and Creation

Object Number
1953.89
People
Attributed to Domenico Campagnola, Italian (Venice ?, Italy 1500 - 1564 Padua, Italy)
Title
Landscape with Fishermen and Huntsmen
Classification
Drawings
Work Type
drawing
Date
c. 1520-1525
Places
Creation Place: Europe, Italy, Veneto, Venice
Culture
Italian
Persistent Link
https://hvrd.art/o/297735

Physical Descriptions

Medium
Brown ink on buff antique laid paper
Dimensions
21.9 x 41.8 cm (8 5/8 x 16 7/16 in.)
Inscriptions and Marks
  • collector's mark: l.l. corner, black ink: L. 1852 (Pierre-Jean Mariette)
  • collector's mark: l.l. corner: L. 1199 (August Grahl)
  • inscription: verso, middle, blue chalk: 157 [encircled]
  • inscription: verso, lower center, graphite: A 19706 / HL -
  • (not assigned): verso, center right, white chalk: 387 [underlined]
  • inscription: verso, top, faded ink?: [illegible inscription]

Provenance

Recorded Ownership History
Pierre Jean Mariette, Paris, France (L. 1852). August Grahl (1791-1868), Dresden (L.1199). [R. Thesiger, London, England], sold; to [J. Byram Shaw for P. & D. Colnaghi & Co., London, England], sold; to Dr. Fritz B. Talbot, gift; to Fogg Art Musuem, 1953.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Dr. Fritz B. Talbot
Accession Year
1953
Object Number
1953.89
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Le Cabinet d'un Grand Amateur P.-J. Mariette, 1694-1774: Dessins du XVe siècle au XVIIIe siècle, Musée du Louvre / Galerie Mollien (Paris, 1967), p. 52
  • Agnes Mongan, Konrad Oberhuber, and Jonathan Bober, The Famous Italian Drawings at the Fogg Art Museum in Cambridge, Silvana Editoriale (Milan, Italy, 1988), pp. 12, 37 and 57, repr. fig. 22
  • Stephan Wolohojian, Sacred and Profane Visions from Renaissance Venice, brochure, Harvard University Art Museums (Cambridge, MA, 2001), cat. no. 23, as attributed to
  • Patrizia Tosini, "Some Newly Identified Drawings by Girolamo Muziano", Master Drawings (Summer 2014), LII, no. 2, pp. 181-200, p. 184, fig. 5
  • Tobias Benjamin Nickel, "Die Landschaftszeichnungen von Domenico Campagnola (1500-1564)" (2017), cat. no. x-25, pp. 422-423

Exhibition History

  • Sacred and Profane Visions from Renaissance Venice, Harvard University Art Museums, Cambridge, 02/17/2001 - 07/23/2001

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu