1943.1815.18.1-14: Sketchbook
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1943.1815.18.1-14
- People
-
Edward Burne-Jones, British (Birmingham, England 1833 - 1898 London, England)
- Title
- Sketchbook
- Classification
- Drawings
- Work Type
- sketchbook
- Date
- c. 1870-1878
- Culture
- British
- Persistent Link
- https://hvrd.art/o/297574
Physical Descriptions
- Medium
- Sketchbook with tan cloth covers
- Dimensions
- 28 x 20 cm (11 x 7 7/8 in.)
- Inscriptions and Marks
-
- inscription: front cover, brown ink: V.
- label: front cover, graphite: 49
- label: inside front cover: FROM THE LIBRARY OF / EDWARD BURNE-JONES / THE GRANGE NORTH / END ROAD FULHAM
-
inscription: formerly inside front cover, printed and inscribed: excerpt from Sotheby's sale catalogue: SIR ED. BURNE-JONES, BT. / 97 A sketch book containing numerous studies for the artist's / pictures: Wheel of Fortune, The Passing of Venus, / Perseus, St. Catharine's Window, Oxford / Pencil / size of leaves 11 in. by 7 1/4 in. [now in file]
Provenance
- Recorded Ownership History
-
Philip Burne-Jones, by descent from father, Edward Burne-Jones, sold at Sotheby's, London, 1926. Sale date: November 10, 1926
Sotheby's, London, from Philip Burne-Jones, sold at auction, 1926. Sale, November 10, 1926, lot 97.
Miss Gray, sold to Grenville L. Winthrop. Sold through Martin Birnbaum.
Grenville Lindall Winthrop, New York, acquired from Miss Gray, 1928, gift to Fogg, 1943. Acquired through Martin Birnbaum.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.1815.18.1-14
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Descriptions
- Description
- Sketchbook with tan cloth covers, remains of cloth ties. 14 pages; the remaining pages are are in uncut drawing block. A number of pages were removed before the sketchbook was acquired by the Fogg. Pages of heavy cream wove paper, measuring 272 x 181 mm. Drawings are in graphite. All are signed with the artist's initials and many are inscribed by the artist's son Philip.
- Commentary
- Studies for the "Perseus" series (begun 1875), "The Passing of Venus," "The Wheel of Fortune," (1875-83), "The Car of Love," (begun 1870), and the St. Catherine Window, Christ Church, Oxford (1878). Also a portrait sketch of Mrs. Drummond.
Publication History
- Paintings and Drawings of the Pre-Raphaelites and their Circle, exh. cat., Fogg Art Museum (Cambridge, MA, 1946), cat. no. 47
- Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), cat. no. 112c
- Edward Saywell, "Guide to Drawing Terms and Techniques", Harvard University Art Museums Bulletin, Harvard University Art Museums (Cambridge, MA, 1998), vol. VI, no. 2, pp. 30-39, p. 36 under "Sketchbook"
- Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 166, repr. (color)
Exhibition History
- Paintings and Drawings of the Pre-Raphaelites and their Circle, Fogg Art Museum, Cambridge, 04/08/1946 - 06/01/1946
- Grenville L. Winthrop: Retrospective for a Collector, Fogg Art Museum, Cambridge, 01/23/1969 - 03/31/1969
- Portrait, Prospect and Poetry: British Drawings from the Grenville L. Winthrop Bequest, Harvard University Art Museums, Cambridge, 09/11/1993 - 11/07/1993
- A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004
- Under Cover: Artists' Sketchbooks, Harvard University Art Museums, Fogg Art Museum, Cambridge, 08/01/2006 - 10/22/2006
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu