Harvard Art Museums > 1957.204: View of Mont Sainte Victoire; verso: Study of a Tree Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"View of Mont Sainte Victoire; verso: Study of a Tree (Paul Cézanne) , 1957.204,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/297516. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1957.204 People Paul Cézanne, French (Aix-en-Provence 1839 - 1906 Aix-en-Provence) Title View of Mont Sainte Victoire; verso: Study of a Tree Classification Drawings Work Type drawing Date 1885-1887 Culture French Persistent Link https://hvrd.art/o/297516 Physical Descriptions Medium Watercolor and graphite on cream wove paper; verso: graphite Dimensions 38.8 × 49.9 cm (15 1/4 × 19 5/8 in.) framed: 47.6 × 62.9 cm (18 3/4 × 24 3/4 in.) Inscriptions and Marks (not assigned): former mount, hand written, black ink [Seligmann stock catalogue number]: 6462 Provenance Recorded Ownership History Rouland. Bernheim-Jeune, Paris. Vicomte Bernard d’Hendecourt, Paris, sold; [through Sotheby’s, London, May 9, 1929, lot 165]. Paul Rosenberg, Paris and New York. Paul J. Sachs, Cambridge, MA (by 1936-1937), sold; [through Jacques Seligmann & Co., New York, November 1937]; to Henry P. McIlhenny, Philadelphia PA (1937-1957), gift; to Fogg Art Museum, 1957. Notes: 1. The drawing was listed in the 1936 “Fogg Art Museum, Harvard University, Handbook” (third edition, p. 160) as being in the Paul J. Sachs collection. 2. The drawing is listed as number 6462 in the Jacques Seligmann & Co. stock catalogue from 1937-1938 (Jacques Seligmann & Co. archives, Archives of American Art online). The entry is crossed out, possibly indicating that the drawing was sold during this time (see note 3). 3. In a night letter dated November 9, 1937 C.M. de Hauke of Jacques Seligmann & Co. notifies Paul J. Sachs that he sold the “Cezanne watercolor” to Henry McIlhenny. This almost certainly refers to the drawing in question, as Sachs expressed interest in selling the work in correspondence with Seligmann & Co. predating this letter (Jacques Seligmann & Co. archives, Archives of American Art online). In addition, in a memo dated July 17, 1988, Agnes Mongan of the Fogg Art Museum recalls that Paul Sachs had been eager to sell the watercolor. She specifies that the offer to McIlhenny was made with the understanding that he would bequeath the work to the Fogg upon his death. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Henry P. McIlhenny Accession Year 1957 Object Number 1957.204 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History The Paintings, Watercolors and Drawings of Paul Cézanne: An Online Catalogue Raisonné, website, no. FWN 1168 (recto); https://www.cezannecatalogue.com/catalogue/entry.php?id=1261; no. FWN 1161 (verso); https://www.cezannecatalogue.com/catalogue/entry.php?id=2609; accessed 2-13-24 Lionello Venturi, Cézanne, son art, son oeuvre, P. Rosenberg (Paris, 1936), cat. no. 1561, pl. 395 Paul J. Sachs, Modern Prints and Drawings, Alfred A. Knopf, Inc. (New York, NY, 1954), pl. 190 Agnes Mongan, "The Fogg Art Museum's Collection of Drawings", Harvard Library Bulletin, Harvard University (Cambridge, 1958), vol. 3, no. 2, March, pp. 5-9, p. 207 The Henry P. McIlhenny Collection: Paintings, Drawings and Sculpture, exh. cat., California Palace of the Legion of Honor (San Francisco, 1962), no. 3, repr. as plate 3 Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection, exh. cat., Museum of Fine Arts, Boston (Boston, 1971), p. 79 cat. 43, repr. p. 78 Terence Maloon, ed., Classic Cézanne, exh. cat., Art Gallery of New South Wales (Sydney, Australia, 1998), no. 40; repr. in color Christopher Lloyd, Paul Cézanne: Drawings and Watercolors, J. Paul Getty Museum and Thames & Hudson (Los Angeles, 2015), p. 111; repr. as fig.153 on p.226 Exhibition History First Loan Exhibition: Cézanne, Gauguin, Seurat, van Gogh, The Museum of Modern Art, New York, 11/01/1929 - 11/30/1929 French Drawings and Prints of the Nineteenth Century, Fogg Art Museum, Cambridge, 03/21/1934 - 04/28/1934 Master Drawings, Selected from the Museums and Private Collections of America, Buffalo Fine Arts Academy, Buffalo, 01/01/1935 - 01/31/1935 A Thousand Years of Landscape East and West, Museum of Fine Arts, Boston, Boston, 10/24/1945 - 12/09/1945 The Henry P. McIlhenny Collection: Paintings, Drawings and Sculpture, California Palace of the Legion of Honor, San Francisco, 06/15/1962 - 07/31/1962 Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of The Phillips Collection, The Phillips Collection, Washington, 02/27/1971 - 03/28/1971 French Masterpieces of the 19th century from the Henry P. McIlhenny Collection, Allentown Art Museum, Allentown, 05/01/1977 - 09/18/1977 French Masterpieces from the Collection of Henry P. McIlhenny, Carnegie Institute, Pittsburgh, 05/03/1979 - 06/24/1979 Classic Cézanne, Art Gallery of New South Wales, Sydney, 11/28/1998 - 02/28/1999 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu