Harvard Art Museums > 1951.56: The Blind Man Drawings Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Blind Man (Pablo Ruiz Picasso) , 1951.56,” Harvard Art Museums collections online, Jun 18, 2025, https://hvrd.art/o/297470. This object does not yet have a description. Identification and Creation Object Number 1951.56 People Pablo Ruiz Picasso, Spanish (Malaga, Spain 1881 - 1973 Mougins, France) Title The Blind Man Other Titles Original Language Title: Mendiant Former Title: The Blind Beggar Classification Drawings Work Type drawing Date 1903 Culture Spanish Persistent Link https://hvrd.art/o/297470 Physical Descriptions Medium Watercolor on cream wove paper mounted on canvas Dimensions 53.9 x 35.8 cm (21 1/4 x 14 1/8 in.) framed: 77 x 59 cm (30 5/16 x 23 1/4 in.) Inscriptions and Marks Signed: l. r.: Picasso 19[03] Provenance Recorded Ownership History Possibly Alfred Fletcheim, Düsseldorf. [1] Daniel-Henry Kahnweiler, Paris.[2] Paul Schüler, Bochum.[3] [Galerie Jean Aron, Paris] sold; to [Galerie Pierre, Paris], 1930, sold; to [René Gimpel, Paris], sold; to Toledo Museum of Art, Toledo, Ohio, 1930,[4] by exchange; to Edouard Jonas, New York, 1936, sold; through [Knoedler & Co., New York, NY] to F. Valentine Dudensing & Valentine Gallery, New York.[5] Sold; to Maurice Wertheim, New York, 1936, bequest; to Fogg Art Museum, 1951. [1] Listed as "Sammlung Fletcheim" in 1913 publication. Hildebrandt, H. "Die Fruhbilder Picassos" in Kunst und Künstler: illustrierte Monatsschrift für bildende Kunst und Kunstgewerbe XI (1913): 337. No illustration. [2] Credited as "Foto Simon" in Elseviers Geïllustreerd Maandschrift. Jaargang 35 (1925): pl. LXII. Kahnweiler renamed his gallery "Gallery Simon" in 1921 when he returned to Paris from exile. [3] Listed as "Sammlung Schüler, Bochum" in 1927 publication. Illustrierte Zeitung (November 1927): 738. [4] Featured in a 1930 exhibition review of a show at Galerie Jean Aron in Paris which notes the work was recently acquired by the Toledo Museum of Art. Documents: Archéologie, Beaux-Arts, Ethnographie, Variété, Vol. 2, (1930): 303. Sales through Galerie Pierre and Galerie Gimpel derived from a letter between William Hutton, Senior Curator of the Toledo Museum of Art, and Margaret P. Morgan in the Fogg Museum's Print Department, dated August 31, 1978, housed in curatorial files. [5] Knoedler Stock Book 8, Page 152, Row 19, Stock No. A1637 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906 Copyright © Estate of Pablo Picasso / Artists Rights Society (ARS), New York Accession Year 1951 Object Number 1951.56 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions THIS WORK HAS SIGNIFICANT LOAN RESTRICTIONS BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS. The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Christian Zervos, Pablo Picasso, Editions Cahiers d'art (Paris, 1932-1978), vol. 1, no. 172, pl. 81 Alfred M. Frankfurter, "Today's Collectors: Modern Milestones", Art News (June 1946), vol. XLV, no. 4, repr. in b/w p. 31 The Maurice Wertheim Collection: Manet to Picasso, exh. cat., The Museum of Fine Arts, Houston (Houston, TX, 1962), p. 40, pl. 15 The Maurice Wertheim Collection, brochure, Fogg Art Museum (Cambridge, MA, 1970), checklist no. 16 Gary Tinterow, Master Drawings by Picasso, exh. cat., Fogg Art Museum (Cambridge, Mass., 1981), p. 250 John O'Brian, Degas to Matisse: the Maurice Wertheim Collection, Harry N. Abrams, Inc. and Fogg Art Museum (New York, NY and Cambridge, MA, 1988), no. 25, pp. 109-111, repr. p. 110 John Richardson, A Life of Picasso, Random House (New York, NY, 1991), vol. 1, repr. p. 277 Norman Mailer, Portrait of Picasso as a Young Man: An Interpretive Biography, Atlantic Monthly Press (New York, 1995), ill. p. 76 Sarah Symmons, Goya, Phaidon (London, England, 1998), p. 325, fig. 209 (color) Elizabeth M. Rudy, "Researching the Wertheim Collection at the Harvard Art Museums", Collections: A Journal for Museum and Archives Professionals (Summer 2014), Vol. 10, No. 3, pp. 301-6, p. 302 Annie Cohen-Solal, Un Étranger Nommé Picasso, Fayard (France, 2021), p. 3, plate section, ill. (color) Exhibition History The Maurice Wertheim Collection: Manet to Picasso, The Museum of Fine Arts, Houston, Houston, 06/13/1962 - 09/02/1962 The Harvard Society for Contemporary Art, Harvard University Art Museums, Cambridge, 08/29/1992 - 03/07/1993 32Q: 1220 Wertheim, Harvard Art Museums, Cambridge, 03/15/2018 - 06/11/2018 Related Articles Uncovering New Ground in the Wertheim Collection May 16, 2013 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu