Harvard Art Museums > 1955.132: The Raising of Lazarus Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"The Raising of Lazarus (Odilon Redon) , 1955.132,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/297469. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1955.132 People Odilon Redon, French (Bordeaux, France 1840 - 1916 Paris, France) Title The Raising of Lazarus Classification Drawings Work Type drawing Date 19th-20th century Culture French Persistent Link https://hvrd.art/o/297469 Physical Descriptions Medium Charcoal and white gouache on blue wove paper, faded to green Dimensions 25.8 x 37.5 cm (10 3/16 x 14 3/4 in.) Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Meta and Paul J. Sachs Accession Year 1955 Object Number 1955.132 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History John Rewald, "Odilon Redon et Emile Bernard", Gazette des Beaux-Arts (November 1956), XLIX, fig. 5 Visionaries and Dreamers, exh. cat., Corcoran Gallery of Art (Washington, D.C, 1956), p. 10, cat. no. 69 Agnes Mongan, Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965]: given and bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, exh. cat., Harvard University (Cambridge, MA, 1965), p. 210 Klaus Berger, Odilon Redon: Fantasy and Colour, McGraw-Hill Book Company (New York, Toronto, London, 1965), pp. 54-55 + 61 +228, cat. no. 228, repr. p. 61 Elizabeth Holt, ed., From the classicists to the impressionists; a documentary history of art and architecture in the 19th century, Anchor Books (Garden City, NY, 1966), no. 58, repr. Vojtech Jirat-Wasiutynski and Thea Jirat-Wasiutynski, "The Uses of Charcoal in Drawing", Arts Magazine (October 1980), vol. 55, no. 2, pp. 128-135, p. 133, fig. 16 Nicholas Wadley, Impressionist and Post-Impressionist Drawing, Dutton Studio Books, New York (New York, NY, 1991), p. 240 Alec Wildenstein, Odilon Redon: Catalogue raisonné de l'oeuvre peint et dessiné, Wildenstein Institute (Paris, 1992-1998), vol. 2, p. 215, no. 1164, repr. Douglas Druick, Odilon Redon: Prince of Dreams, 1840-1916, exh. cat., Harry N. Abrams, Inc. (New York, 1994), p. 451, cat. no. 50. Alain Marchadour, Lazare, Bayard (Paris, 2004), pl. IV (color) Carey Dunne, Flowers of Evil and the Macabre Literary Imagination of Symbolism, Hyperalleric (July 4, 2016), [e-journal], http://hyperallergic.com/305877/flowers-of-evil-and-the-macabre-literary-imagination-of-symbolism/, accessed January 9, 2017 Franklin Einspruch, Fuse Visual Art Review: A Pair of Drawing Shows at the Harvard Art Museums, The Arts Fuse ([e-journal], June 9, 2016), http://artsfuse.org/146319/fuse-visual-arts-review-a-pair-of-drawing-shows-at-the-harvard-art-museums/, accessed June 9, 2016 Exhibition History Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
