Harvard Art Museums > M26393: Valôche Multiples Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Valôche (George Brecht)(Designed by George Maciunas)(Published by Fluxus) , M26393,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/29740. This object does not yet have a description. Identification and Creation Object Number M26393 People George Brecht, American (New York, NY 1926 - 2008 Cologne, Germany) Designed by George Maciunas, American (Kaunas, Lithuania 1931 - 1978 Boston, MA) Published by Fluxus, American Title Valôche Classification Multiples Work Type multiple Date early 1970s Culture American Persistent Link https://hvrd.art/o/29740 Physical Descriptions Medium 18-compartment, transparent plastic box containing miscellaneous objects Technique Assemblage Dimensions box: 33 x 22 x 5.8 cm (13 x 8 11/16 x 2 5/16 in.) Provenance Recorded Ownership History Barbara Moore, Bound/Unbound, New York, New York, partial gift partial purchase; to Harvard University Art Museums, June 28, 2005. State, Edition, Standard Reference Number Standard Reference Number variation of S. 75 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound Copyright © Estate of George Brecht / Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany. Accession Year 2005 Object Number M26393 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description An unlabeled prototype, made by George Maciunas, of the edition later produced by him in various wooden boxes (see M26394). Brecht was apparently unhappy with the compartmentalized realization; it is, in the end, perhaps more typical of Maciunas than of Brecht. Publication History Jon Hendricks, Fluxus Codex, Harry N. Abrams, Inc. (New York, 1988), p. 214-215 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
