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Identification and Creation

Object Number
1956.46
People
Imitator of Isaac van Ostade, Dutch (Haarlem, Netherlands 1621 - 1649 Haarlem, Netherlands)
Title
Courtyard with Two Figures
Classification
Drawings
Work Type
drawing
Date
18th century
Culture
Dutch
Persistent Link
https://hvrd.art/o/297218

Physical Descriptions

Medium
Transparent watercolor and brown ink over black chalk on cream antique laid paper, framing line in brown ink, laid down
Dimensions
13.7 x 18.3 cm (5 3/8 x 7 3/16 in.)
Inscriptions and Marks
  • inscription: lower right, brown ink: AVO[in ligature]
  • inscription: verso, lower left, brown ink: 160 / J w/
  • inscription: former mount, verso, overall: [illegible marks]
  • inscription: former mount, verso, upper left, graphite: 16.
  • inscription: former mount, verso, lower center, graphite: 1572
  • inscription: former mount, verso, lower right, graphite: 1489
  • inscription: former mount, verso, lower right, graphite: h / 44.
  • inscription: verso, lower left, graphite: [symbols]
  • inscription: former mount, verso, graphite: 99
  • watermark: none

Provenance

Recorded Ownership History
Farnsworth Art Museum, Wellesley College, given; to the Fogg Art Museum, 1956.

Published Text

Catalogue
Drawings from the Age of Bruegel, Rubens, and Rembrandt: The Complete Collection Online
Authors
Multiple authors
Publisher
Harvard Art Museums (Cambridge, MA, 2017–)

Entry by Susan Anderson, completed November 01, 2017:

This drawing of a courtyard and surrounding buildings was inspired by a group of unpopulated scenes of rustic architecture by Isaac van Ostade, the short-lived younger brother of Adriaen van Ostade. Both brothers painted and drew peasant genre subjects in Haarlem during the 17th century.1 None of Isaac’s drawings, in whole or in part, served as a direct model for our composition or its elements. Adriaen van Ostade’s last student, Cornelis Dusart, has been suggested as the artist responsible for this sheet, as he copied several of Isaac’s unpopulated scenes and invented many others.2 Ultimately, this is unconvincing: the pen line is too haphazard, and the man and woman at the lower right do not demonstrate Dusart’s confident figural style. The draftsmanship is close enough to Isaac and Dusart, however, to place our drawing at the end of the 17th century, and it fits among a wider group of similarly inspired architectural scenes whose hands remain unidentified.

Notes

1 See Bernhard Schnackenburg, Adriaen van Ostade, Isack van Ostade, Zeichnungen und Aquarelle (Hamburg: Dr. Ernst Hauswedell & Co., 1981), cats. 565–80.

2 For such a drawing by Cornelis Dusart in the Harvard Art Museums collections, see the object record for Peasant Cottage with a Protruding Roof, 1965.211.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Farnsworth Art Museum, Wellesley College
Accession Year
1956
Object Number
1956.46
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Subjects and Contexts

  • Dutch, Flemish, & Netherlandish Drawings

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu