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A drawing of a man in formalwear.

The drawing in graphite on white paper depicts a man in formalwear from the chest up; facing the viewer. He has light, medium-length hair, combed back. He wears a coat with an upturned, dark lapel over a light jacket and shirt, the collar fastened with an ascot.

Identification and Creation

Object Number
1952.73
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Portrait of Etienne (?) Gonin
Classification
Drawings
Work Type
drawing
Date
1834
Culture
French
Persistent Link
https://hvrd.art/o/297163

Physical Descriptions

Medium
Graphite and white chalk on white wove paper
Dimensions
24.2 × 18.6 cm (9 1/2 × 7 5/16 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Marian H. Phinney
Accession Year
1952
Object Number
1952.73
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Ingres in American Collections: Loan Exhibition for the Benefit of the Lighthouse, New York Association for the Blind, exh. cat., Paul Rosenberg and Co. (New York, 1961), no. 43, repr.
  • Hans Naef, "Ingres et les familles Gonin, Thomeguex et Guerber", Genava (1966), 14, pp. 113-162, no. 14, p. 145, fig. 8
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 73, pp. 243-246, repr.
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 240, repr.
  • Gary Tinterow and Philip Conisbee, Portraits by Ingres: Image of an Epoch, exh. cat., The Metropolitan Museum of Art (New York, NY, 1999), p. 467

Exhibition History

  • Ingres in American Collections: Loan Exhibition for the Benefit of the Lighthouse, New York Association for the Blind, Paul Rosenberg and Co.
  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu