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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1943.524
People
Attributed to Peter Paul Rubens, Flemish (Siegen, Westphalia 1577 - 1640 Antwerp, Belgium)
Title
A Study for the Figure of Christ, from "The Raising of the Cross"
Classification
Drawings
Work Type
drawing
Date
17th century
Culture
Flemish
Persistent Link
https://hvrd.art/o/297059

Physical Descriptions

Medium
Black and white chalk and black wash on light tan antique laid paper, mounted overall
Dimensions
44.9 x 36 cm (17 11/16 x 14 3/16 in.)
Inscriptions and Marks
  • watermark: hunter's horn

    X ray exists of watermark, Burroughs no. 5002, Straus.8756) horn, similar to 1936.123, 1949.3
  • inscription: mount, verso, upper left, graphite: HW No [illegible] [underlined]
  • inscription: mount, verso, upper left, graphite: Lx/cx
  • label: former label, brown ink: for / The Fogg Art Museum / Cambridge, Massachusetts / Loan 3/2/38 / From G.L.W. 15 East 81st Street / (Ex. collection Sir Thos. Lawrence / " " R. Madrazo)
  • inscription: lower left, graphite: V Dijck
  • blind stamp: lower left, blind stamp: L. 2445 (Thomas Lawrence)
  • inscription: mount, verso, lower left, graphite: 2 [illegible words] 2000-
  • inscription: mount, verso, lower center, graphite: A. van Dyck

Provenance

Recorded Ownership History
Thomas Lawrence, London (L. 2445, without his mark). R. Madrazo. Grenville L. Winthrop, New York, New York, bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.524
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Gustav Glück, "Rubens' Kreuzaufrichtungsaltar", Belgische Kunstdenkmäler, Bruckmann Verlag (Munich, 1923), pp. 161-184, p. 172, fig. 134, repr.
  • Gustav Glück and Franz Martin Haberditzl, Die Handzeichnungen von Peter Paul Rubens, Julius Bard (Berlin, Germany, 1928), cat. no. 62, p. 36, repr. pl. 62
  • Gustav Glück, "Rubens' Kreuzaufrichtungsaltar", Rubens, Van Dyck, und ihr Kreis, Verlag A. Schroll & Co., g.m.b.h. (Vienna, Italy, 1933), pp. 56-81, 381-383, pp. 70, 381 (n. e), repr. p. 69, fig. 41
  • Jan-Albert Goris and Julius S. Held, Rubens in America, Pantheon Books (New York and Antwerp, 1947), cat. no. 103, p. 42
  • An Exhibition of Dutch and Flemish Drawings and Watercolors, checklist, Unpublished (1954), cat. no. 15, p. 4 (as copy after Rubens)
  • Agnes Mongan, Drawings & Oil Sketches: Rubens from American Collections, exh. cat., President and Fellows of Harvard College (Cambridge, MA, 1956), p. 15, under cat. no. 8
  • Dr. Ludwig Burchard and Roger A. d'Hulst, Tekeningen van P.P. Rubens, exh. cat., Uitgeverij Ontwikkeling (Antwerp, 1956), under cat. no. 34, p. 48
  • Günter Aust, “Entwurf und Ausführung bei Rubens", Walraf-Richartz Jahrbuch, M. DuMont Schauberg (Cologne, 1958), vol. 20, pp. 163-212, p. 168 (n. 11)
  • Dr. Ludwig Burchard and Roger A. d'Hulst, Rubens Drawings, Arcade Press (Brussels, 1963), vol. 1, under cat. no. 55, p. 95
  • Mrs. Colles Baxter Larkin, "Rubens: A Variety of Interests" (unpublished manuscript, Fogg Art Museum, 1974). Typewritten brochure that accompanied the exhibition of the same title at the Fogg Art Museum, 23 May - 30 June 1974., no. 16
  • Hans Kauffmann, "Formen der Begegnung in der Bildkunst von Rubens", Peter Paul Rubens: Werk und Nachraum, Wilhelm Fink (Augsburg, 1981), pp. 69-88, pp. 75, 87 (n. 14)
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), under cat. no. 269, p. 231
  • Catherine Whistler and Jeremy Wood, ed., Rubens in Oxford: an Exhibition of Drawings from Christ Church and the Ashmolean Museum, exh. cat., P. & D. Colnaghi & Co. Ltd. (London, 1988), under cat. no. 3, p. 26
  • J. R. Judson, Rubens The Passion of Christ, Harvey Miller/Brepols Publishers (Turnhout, Belgium, 2000), cat. no. 20b, pp. 98-99, repr. fig. 65
  • Anne-Marie Logan and Michiel C. Plomp, Peter Paul Rubens: The Drawings, exh. cat., Metropolitan Museum of Art / Yale University Press (New York/New Haven and London, 2004), p. 155 (n. 4)
  • Anne-Marie Logan and Kristin Lohse Belkin, The Drawings of Peter Paul Rubens: A Critical Catalogue, Brepols (Turnhout, Belgium, 2021), vol. 2, pp. 95-97, 100, fig. 343a

Exhibition History

  • An Exhibition of Dutch and Flemish Drawings and Watercolors, Fogg Art Museum, Cambridge, 04/01/1954 - 04/30/1954
  • Rubens: A Variety of Interests, Fogg Art Museum, Cambridge, 05/23/1974 - 06/30/1974

Subjects and Contexts

  • Dutch, Flemish, & Netherlandish Drawings

Related Digital Tours

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu