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Identification and Creation

Object Number
1965.235
People
François Boucher, French (Paris 1703 - 1770 Paris)
Title
Reclining Nude
Classification
Drawings
Work Type
drawing
Date
18th century
Culture
French
Persistent Link
https://hvrd.art/o/296780

Physical Descriptions

Medium
Red and white chalk on light tan antique laid paper, partial framing lines in black chalk and black ink, laid down on a decorated mount
Dimensions
31.8 × 41.6 cm (12 1/2 × 16 3/8 in.)
57 × 67 × 4 cm (22 7/16 × 26 3/8 × 1 9/16 in.)
Inscriptions and Marks
  • stamp: lower right, blind stamp: Addison
  • inscription: lower center, brown ink: fr. Boucher
  • stamp: old mount, blind stamp: ARD

Provenance

Recorded Ownership History
Alphonse Kann, St-Germain-en-Laye; his sale, Galerie Georges Petit, Paris, 6-8 December 1920, lot 74; Durlacher Brothers, London and New York (by c. 1925); John Nicolas Brown II, Providence; his partial gift; to Meta and Paul J. Sachs, Cambridge; Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs, 1965.235

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs
Accession Year
1965
Object Number
1965.235
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • “French XVIII-Century Art", Notes (Fogg Art Museum), ed. John Coolidge, Fogg Art Museum (Cambridge, 1931), vol. 2, no. 6, June, pp. 310-16, pp. 312, 316
  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 596, p. 319, vol. 3, p. viii
  • William G. Constable, “The Nude: Showing a 5-Century Ideal", ArtNews, ed. Alfred M. Frankfurter, ARTnews (1946), vol. 44, no. 19, January, pp. 8-10, p. 10
  • William G. Constable, The Nude in Art: Loan Exhibition of Paintings and Drawings, exh. cat., Wadsworth Atheneum Museum of Art (Hartford, 1946), cat. no. 6, p. 7
  • Paul J. Sachs, The Pocket Book of Great Drawings, Pocket Books, Inc. (New York, 1951), pp. 88-90
  • Paul Wescher and Ebria Feinblatt, A Catalogue of Italian, French, and Spanish Paintings: XIV-XVIII Century, Los Angeles County Museum of Art (Los Angeles, 1954), p. 63
  • An Exhibition of Drawings, exh. cat., Colby College, Miller Library (Waterville, 1956), cat. no. 10, n.p.
  • Regina Shoolman Slatkin, François Boucher: An Exhibition of Prints and Drawings, exh. cat., Charles E. Slatkin Galleries (New York, 1957), cat. no. 4, n.p.
  • Agnes Mongan, De Clouet a Matisse: Dessins français des collections américaines, exh. cat., Musée de l'Orangerie (Paris, 1958), cat. no. 32, n.p.
  • Agnes Mongan, Van Clouet tot Matisse: tentoonstelling van franse tekeningen uit amerikaanse collecties, exh. cat., Museum Boymans (Rotterdam, 1958), cat. no. 32, n.p.
  • Agnes Mongan, French Drawings from American Collections: Clouet to Matisse, exh. cat., The Metropolitan Museum of Art (New York, 1959), cat. no. 32, p. 44, pl. 42, repr.
  • "Acquisitions", Acquisitions (Fogg Art Museum), ed. John Coolidge, Fogg Art Museum (Cambridge, 1965), pp. 17-58, p. 24
  • Agnes Mongan, Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965]: given and bequeathed to the Fogg Art Museum, Harvard University, Cambridge, Massachusetts, exh. cat., Harvard University (Cambridge, MA, 1965), cat. no. 29, n.p.
  • Alexandre Ananoff, L’Œuvre dessiné de François Boucher (1703–1770): catalogue raisonné, Libraire F. de Nobele (Paris, 1966), vol. 1, cat. no. 471, pp. 134-35
  • Daniel M. Mendelowitz, Drawing, Stanford University Press (Stanford, 1967), pp. 142, 331, 333
  • Regina Shoolman Slatkin, François Boucher in North American Collections: 100 Drawings, exh. cat., National Gallery of Art (Washington, 1973), cat. no. 35, pp. x, xxi, 45
  • Nathan Goldstein, Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form, Prentice Hall (Englewood Cliffs, 1976), pp. 156-57
  • Denys Sutton, François Boucher: A Loan Exhibition for the Benefit of the New York Botanical Garden, exh. cat., Wildenstein & Company (New York, 1980), cat. no. 45, p. 47
  • Nathan Goldstein, Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form, Prentice Hall (Englewood Cliffs, 1981), pp. 175, 183, 260
  • Terisio Pignatti and Maria Agnese Chiari Moretto Wiel, Il disegno: da Altamira a Picasso, A. Mondadori (Milan, 1981), p. 269
  • Georges Brunel, Boucher et les femmes, Flammarion (Paris, 1986), p. 58
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), cat. no. 276, p. 236
  • Nathan Goldstein, Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form, Pearson Prentice Hall (Upper Saddle River, N.J., 2004), repr. as fig. 4.84 on p. 174, in b/w
  • Cara Dufour Denison, Rhoda Eitel-Porter, and Jennifer Tonkovich, The Age of Elegance: The Joan Taub Ades Collection, exh. cat., The Morgan Library & Museum (New York, 2011), pp. 24, 85-n.2
  • Ewa Lajer-Burcharth and Elizabeth M. Rudy, ed., Drawing: The Invention of a Modern Medium, exh. cat., Harvard Art Museums (Cambridge, 2017), pp. 71, 281, repr. p. 66 as fig. 1
  • Ewa Lajer-Burcharth, The Painter's Touch: Boucher, Chardin, Fragonard, Princeton University Press (Princeton, 2018), repr. as fig. 1.19 on p. 25
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 62, repr., p. 17

Exhibition History

  • The Nude in Art: Loan Exhibition of Paintings and Drawings, Wadsworth Atheneum Museum of Art, Hartford, 01/01/1946 - 02/03/1946
  • Drawings from the Fogg Museum of Art, Harvard University (Collected by Paul J. Sachs), Century Club, New York, 05/12/1947 - 09/25/1947
  • An Exhibition of Drawings, Colby College, Miller Library, Waterville, 04/27/1956 - 05/23/1956
  • François Boucher: An Exhibition of Prints and Drawings, Charles E. Slatkin Galleries, New York, 01/28/1957 - 02/23/1957
  • French Drawings from American Collections: Clouet to Matisse, Museum Boymans, Rotterdam, 07/31/1958 - 09/28/1958; Musée de l'Orangerie, Paris, 10/24/1958 - 01/02/1959; The Metropolitan Museum of Art, New York, 02/03/1959 - 03/15/1959
  • Memorial Exhibition: Works of Art from the Collection of Paul J. Sachs [1878-1965] Given and Bequeathed to the Fogg Art Museum Harvard University Cambridge, Massachusetts, Fogg Art Museum, Cambridge, 11/15/1965 - 01/15/1966; The Museum of Modern Art, New York, 12/19/1966 - 02/26/1967
  • François Boucher in North American Collections: 100 Drawings, National Gallery of Art, Landover, 12/23/1973 - 03/17/1974; The Art Institute of Chicago, Chicago, 04/04/1974 - 05/12/1974
  • François Boucher: A Loan Exhibition for the Benefit of the New York Botanical Garden, Wildenstein & Company, New York, 11/12/1980 - 12/19/1980
  • The Heavenly Twins: Edward W. Forbes, Paul J. Sachs and the Building of a Collection, Harvard University Art Museums, Cambridge, 09/23/1995 - 12/17/1995
  • HAA 271x The Origins of Modernity: The "New" 18th Century Rotation #2: Large Niche (S426A) Spring 2011, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 03/11/2011 - 06/18/2011
  • Drawing: The Invention of a Modern Medium, Harvard Art Museums, Cambridge, 01/21/2017 - 05/07/2017

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu