Add to Collection

Add this item to an existing or new collection.
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1964.14
People
Jean-Antoine Watteau, French (Valenciennes 1684 - 1721 Nogent-sur-Marne)
Title
Three Views of a Military Drummer
Classification
Drawings
Work Type
drawing
Date
c. 1713
Culture
French
Persistent Link
https://hvrd.art/o/296710

Physical Descriptions

Medium
Red chalk on cream antique laid paper, framing lines in black ink, laid down on off-white card
Dimensions
15.5 x 19.6 cm (6 1/8 x 7 11/16 in.)
Inscriptions and Marks
  • watermark: none
  • inscription: none

Provenance

Recorded Ownership History
Jean-Pierre Norblin de la Gourdaine, Paris; to his son, Louis-Pierre-Martin Norblin de la Gourdaine, Paris, by descent; Marie-Élise-Antoinette-Blanche-Francisca, Baronne Bajot de Connantre (or Conantré; née Symonet), Château de Connantre, Connantre; to her daughter, Marie-Blanche-Charlotte, Comtesse des Isnards-Suze (née Bajot de Connantre), Château de Suze-la-Rousse, Suze-la-Rousse, by descent (or to her other daughter, Anne-Blanche-Caroline, Baronne de Rublé, née Bajot de Connantre, Paris and Château de Rublé, Gimat, by descent); to her daughter, Eliane, Baronne de Witte (née des Isnards-Suze), Paris, by descent; to her daughter, Germaine, Marquise de Bryas (née de Witte), Château de Suze-la-Rousse, Suze-la-Rousse, by descent; Galerie Cailleux, Paris (by 1958), sold; to John S. Newberry, New York, gift; to Harvard Art Museums/Fogg Museum, Gift of John S. Newberry, inv. no. 1964.14

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of John S. Newberry
Accession Year
1964
Object Number
1964.14
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Edmond de Goncourt, Catalogue raisonné de l'œuvre peint, dessiné et gravé d'Antoine Watteau, Rapilly (Paris, 1875), cat. nos. 413, 482, 617, pp. 251, 266, 290
  • Jean Cailleux, "Four Studies of Soliders by Watteau: An Essay on the Chronology of Military Subjects", The Burlington Magazine, The Burlington Magazine Publications, Ltd. (London, 1959), vol. 101, no. 678-79, September-October, n.p., pp. ii-v, vii
  • Charles E. Slatkin, French Master Drawings: Renaissance to Modern, exh. cat., Charles E. Slatkin Galleries (New York, 1959), cat. no. 29, n.p.
  • Agnes Mongan, Thirty-Three French Drawings from the Collection of John S. Newberry, Class of 1933, exh. cat., Fogg Art Museum (Cambridge, 1960), cat. no. 33, n.p
  • Agnes Mongan, Great Drawings of All Time, ed. Ira Moskowitz and Victoria Thorson, Shorewood Publishers Inc. (New York, 1962), vol. 3, cat. no. 681, n.p.
  • “Acquisitions", Acquisitions (Fogg Art Museum), ed. John Coolidge, Fogg Art Museum (Cambridge, 1964), no. 1964, pp. 116-33, p. 123
  • Fogg Art Museum, Studies and Study Sheets: Master Drawings from Five Centuries, exh. cat., Fogg Art Museum (Cambridge, MA, 1964), cat. no. 37, n.p.
  • Agnes Mongan, "Three Views of a Drummer by Antoine Watteau", Acquisitions (Fogg Art Museum), Fogg Art Museum (Cambridge, 1965), pp. 42-48, pp. 42-48
  • “Etats-Unis", La Chronique des Arts: Gazette des Beaux-Arts, Gazette des Beaux-Arts (Paris, 1965), no. 1153, February, pp. 26-77, p. 44
  • Agnes Mongan, "A Watteau Drawing after Rubens", Acquisitions (Fogg Art Museum), Fogg Art Museum (Cambridge, 1966), pp. 161-64, p. 161
  • Konrad Oberhuber, European Master Drawings of Six Centuries from the Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Tokyo, 1979), cat. no. 74, n.p.
  • Diane DeGrazia Bohlin, “Agnes Mongan (b. 1905): Connoisseur of Old Master Drawings", Women as Interpreters of the Visual Arts, 1820-1979: Contributions in Women’s Studies, ed. Claire Richter Sherman and Adele M. Holcomb, Greenwood Press (Westport, 1981), no. 18, pp. 425, 434
  • Debora Mayer, "Technical Examination of Red Chalk" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, 1982), Unpublished, pp. 43, 58
  • Margaret Morgan Grasselli, Pierre Rosenberg, and Nicole Parmantier, Watteau, 1684-1721, exh. cat., National Gallery of Art and Editions de la Réunion des Musées Nationaux (Washington and Paris, 1984), cat. no. D26, pp. 88, 95, 102
  • Marianne Roland Michel, Watteau: un artiste au XVIIIe siècle, Flammarion (Paris, 1984), pp. 169-70
  • Martin Eidelberg, "Review: Watteau, 1684-1721", Master Drawings, Master Drawings Association (1986), vol. 23-24, no. 1, 1985-86, pp. 102-106, p. 105
  • Edgar Munhall, Little Notes Concerning Watteau's Portal of Valenciennes, The Frick Collection (New York, 1992), pp. 24-25
  • Pierre Rosenberg and Louis-Antoine Prat, Antoine Watteau, 1684-1721: catalogue raisonné des dessins, Leonardo Arte (Milan, 1996), vol. 1, cat. no. 210, pp. 36, 332-33
  • Alvin L. Clark, Jr., Barbara Brejon de Lavergnée, Jean-Francois Méjanès, Alain Mérot, Margaret Morgan Grasselli, Sophie Raux-Carpentier, William W. Robinson, Marianne Roland Michel, and Pierre Rosenberg, Mastery & Elegance: Two Centuries of French Drawings from the Collection of Jeffrey E. Horvitz, exh. cat., ed. Alvin L. Clark, Jr., Harvard University Art Museums (Cambridge, 1998), p. 72-n.24
  • Margaret Morgan Grasselli, “Review: Antoine Watteau, 1684-1721: catalogue raisonné des dessins", Master Drawings, Master Drawings Association (New York, 2001), vol. 39, no. 3, Autumn, pp. 310-14, p. 314
  • Suzanne Boorsch and John Marciari, Master Drawings from the Yale University Art Gallery, exh. cat., Yale University Art Gallery (New Haven, CT, 2006), pp. 188, 189-n.9
  • Guillaume Glorieux, Watteau, Citadelles & Mazenod (Paris, 2011), pp. 96, 100-101, 373-n.104
  • Ewa Lajer-Burcharth, "Drawing Time", October, MIT Press (Cambridge, MA, 2015), no. 151, Winter, pp. 3-42, pp. 13-14, 34-35
  • Aaron Wile, Watteau's Soldiers: Scenes of Military Life in Eighteenth-Century France, exh. cat., The Frick Collection (New York, 2016), cat. no. 21, pp. 21, 26, 109
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 53, repr.

Exhibition History

  • French Master Drawings: Renaissance to Modern, Charles E. Slatkin Galleries, 02/10/1959 - 03/07/1959
  • Thirty-Three French Drawings from the Collection of John S. Newberry, Class of 1933, Fogg Art Museum, 06/01/1960 - 10/31/1960
  • Studies and Study Sheets, Fogg Art Museum, Cambridge, 03/26/1964 - 04/18/1964
  • European Master Drawing of Six Centuries from the Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 11/03/1979 - 12/16/1979
  • HAA 271x The Origins of Modernity: The "New" 18th Century Rotation #2: Large Niche (S426A) Spring 2011, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 03/11/2011 - 06/18/2011
  • Watteau's Soldiers: Scenes of Military Life in Eighteenth-Century France, The Frick Collection, New York, 07/12/2016 - 10/03/2016

Subjects and Contexts

  • Google Art Project
  • Collection Highlights

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu