Harvard Art Museums > 1965.378: Reclining Nude Youth; verso: Various Sketches Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Reclining Nude Youth; verso: Various Sketches (Unidentified Artist) , 1965.378,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/296690. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1965.378 People Unidentified Artist Title Reclining Nude Youth; verso: Various Sketches Classification Drawings Work Type drawing Date 17th century Places Creation Place: Europe, Italy, Tuscany, Florence Culture Italian Persistent Link https://hvrd.art/o/296690 Physical Descriptions Medium Red chalk on tan antique laid paper, squared in red chalk; verso: black and red chalk Dimensions 16.8 × 22.8 cm (6 5/8 × 9 in.) Inscriptions and Marks watermark: fleur-de-lis in a circle surmounted by a crown (similar to Briquet 7113) Provenance Recorded Ownership History Emile Wauters, Paris (Lugt 911). Unidentified collection (Lugt 2508). William Bates, Birmingham (Lugt 2604). Meta and Paul J. Sachs, Cambridge, by 1930, bequest; to Fogg Art Museum, 1965 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs Accession Year 1965 Object Number 1965.378 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Frederic Lees, The Art of the Great Masters: As Exemplified by Drawings in the Collection of Emile Wauters, membre de l'Academie royale de Belgique, Houghton Mifflin Company (Boston, MA, 1913), pp. 177-178, fig. 197 Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 92, p. 64 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu