1965.359: Head of an Old Man Turned Three-Quarters Right
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- 1965.359
- People
-
Domenico Beccafumi, Italian (Cortine in Valdibiena Montaperti, Italy 1486 - 1551 Siena, Italy)
- Title
- Head of an Old Man Turned Three-Quarters Right
- Classification
- Drawings
- Work Type
- drawing
- Date
- c. 1529-1535
- Places
- Creation Place: Europe, Italy, Tuscany, Siena
- Culture
- Italian
- Persistent Link
- https://hvrd.art/o/296636
Physical Descriptions
- Medium
- Tempera (and/or oil), charcoal, and stylus, varnished overall, on paper
- Dimensions
- 26.8 × 19.9 cm (10 9/16 × 7 13/16 in.)
- Inscriptions and Marks
-
- watermark: No watermark was observed when examined by Craigen Bowen, 3/8/2002.
Provenance
- Recorded Ownership History
- William Bateson, London (Lugt 2604a). [F. R. Meatyard, London] sold; to Paul J. Sachs, Cambridge, MA, by 1929, bequest; to Fogg Art Museum, 1965
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs
- Accession Year
- 1965
- Object Number
- 1965.359
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Jacob Judey-Barosin, "Domenico Beccafumi" (Thesis, Freiburg im Breisgau University, Berlin, 1932), Buchdruckerei Michel, no. 231, p. 150
- Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 66, pp. 53-54; vol. 2, repr. fig. 57
- Donato Sanminiatelli, "The Sketches of Domenico Beccafumi", The Burlington Magazine (February 1955), vol. XCVII, no. 623, pp. 35-6 and under fn. 8, p. 35
- Anxiety and Elegance: The Human Figure in Italian Art, 1520-1580, exh. cat., Fogg Art Museum (Cambridge, MA, 1962), no. 3, p. 1
- Donato Sanminiatelli, Domenico Beccafumi, Bramante (Milan, Italy, 1967), p. 125, no. 8; repr.
- Konrad Oberhuber, European Master Drawings of Six Centuries from the Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Tokyo, 1979), cat. no. 12, n.p., pl. 12, repr.
- L. C. J. Frerichs, Italiaanse Tekeningen II de 15de en 16de Eeuw, exh. cat., Rijksmuseum Amsterdam (Amsterdam, The Netherlands, 1981), under no. 32
- Agnes Mongan, Konrad Oberhuber, and Jonathan Bober, The Famous Italian Drawings at the Fogg Art Museum in Cambridge, Silvana Editoriale (Milan, Italy, 1988), text, p. 32; text and color repr., cat. no. 28, n.p.
- Domenico Beccafumi e il suo tempo, exh. cat., Electa (Milan, Italy, 1990), no. 121, pp. 454-457; repr. in color, p. 455
- Clio Jones, "Technical Study of Two Drawings by Domenico Beccafumi at the Fogg Art Museum" (thesis (certificate in conservation), Straus Center for Conservation and Technical Studies, July 1990), Unpublished, pp. 1-37 passim
- Bert W. Meijer, ed., Italian Drawings from the Rijksmuseum Amsterdam, Rijksmuseum Amsterdam (Amsterdam, The Netherlands, 1995), under no. 8 and fn. 1, p. 97
- Edward Saywell, "Guide to Drawing Terms and Techniques", Harvard University Art Museums Bulletin, Harvard University Art Museums (Cambridge, MA, 1998), vol. VI, no. 2, pp. 30-39, p. 37 under "Stylus"
- Matthias Waschek, Marjorie B. Cohn, Judith Mann, and Stephan Wolohojian, Ideal [Dis-] Placements: Old Masters at the Pulitzer, exh. cat., Pulitzer Arts Foundation (St. Louis, 2008), no. 33, repr. pp. 34-35
- An Exhibition of Master Drawings and Paintings, auct. cat., Jean-Luc Baroni Ltd. (London, 2010), under cat. no. 1
Exhibition History
- Anxiety and Elegance: The Human Figure in Italian Art, 1520-1580, Fogg Art Museum, Cambridge, 05/01/1962 - 05/25/1962
- European Master Drawing of Six Centuries from the Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 11/03/1979 - 12/16/1979
- Domenico Beccafumi e il suo tempo, Pinacoteca Nazionale di Siena, 04/07/1990 - 07/31/1990
- Ideal [Dis-] Placements: Old Masters at the Pulitzer, Pulitzer Arts Foundation, St. Louis, 10/24/2008 - 10/03/2009
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu