Entry by
Susan Anderson,
completed November 01, 2017:
This copy after Adriaen van Ostade’s etching, The Spectacle Seller (c. 1647–52, S5.19.4) , is about 50 percent bigger than its source. The copyist, who skillfully wielded black chalk to accurately capture in this enlarged format the figures, drapery, and areas of light and dark, remains unidentified. The inscription at the lower right, “Ostade fec.” (Latin for “Ostade made it”), was added later in graphite, which suggests that at least one owner of the sheet believed he had an original Van Ostade drawing. Van Ostade did use black chalk for his rapidly drawn figure studies, but he never applied the medium to a fully finished composition, as seen here.
Notes