Harvard Art Museums > 1970.74: Twig of Peach Bloom Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Twig of Peach Bloom (John Ruskin) , 1970.74,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/296290. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1970.74 People John Ruskin, British (London, England 1819 - 1900 Brantwood, England) Title Twig of Peach Bloom Classification Drawings Work Type drawing Date c. 1874 Culture British Persistent Link https://hvrd.art/o/296290 Physical Descriptions Medium Watercolor and gouache on cream wove paper Dimensions 20.9 x 16.1 cm (8 1/4 x 6 5/16 in.) Provenance Recorded Ownership History The artist; to William Ward II (1829-1908). Alfred Mansfield Brooks, Swarthmore, PA and Gloucester, MA (1870-1963); to Mrs. Alfred Mansfield Brooks (nee Ruth Steele), at his death, 1963, bequest; to Fogg Art Museum, 1970. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Mrs. Alfred Mansfield Brooks Accession Year 1970 Object Number 1970.74 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History E. T. Cook and Alexander Wedderburn, The Works of John Ruskin, G. Allen (London, England, 1903 -1912), vol. 38, no. 1283 Gail S. Weinberg, Drawings of John Ruskin (1819 - 1900), exh. cat., Fogg Art Museum (Cambridge, MA, 1979), no. 50 Linda S. Ferber and William H. Gerdts, The New Path: Ruskin and the American Pre-Raphaelites, exh. cat., Brooklyn Museum (Brooklyn, NY, 1985), pp. 94, 287, cat. 128, fig. 30 Theodore E. Stebbins, Jr. and Susan C. Ricci, "The Last Ruskinians", American Art Review (March -April 2007), XIX, no. 2, pp. 80-89, repr. p. 81 Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), pp. 85, 96, pl. 46 Linda S. Ferber and Nancy K. Anderson, The American Pre-Raphaelites: Radical Realists, exh. cat., National Gallery of Art (Washington, DC, 2019), pl. 85, pp. 84, 232 Tim Barringer, Tara Contractor, Victoria Hepburn, Judith Stapleton, and Courtney Skipton Long, Unto This Last: Two Hundred Years of John Ruskin, exh. cat., Yale University Press (New Haven, 2019), cat. no. 60, repr., p. 32 Charles Darwent, "'Just what you like': Making Modern Art in Britain" [review of Michael Bird, "This is Tomorrow"], The Times Literary Supplement (October 21, 2022), no. 6238, p. 17, repr. p. 17 Exhibition History Drawings of John Ruskin, 1819 - 1900, Fogg Art Museum, Cambridge, 01/19/1979 - 03/04/1979 The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/07/2007 - 07/08/2007 The American Pre-Raphaelites: Radical Realists, National Gallery of Art, Washington, 04/14/2019 - 07/21/2019 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu