Entry by
Austeja Mackelaite,
completed April 03, 2018:
Executed on a coarse sheet of tan paper, this drawing served as a backing for a fragile early 16th-century study of the Pietà, drawn in pen and ink by a different hand. The linear application of black chalk, as well as the pose and the physiognomy of the female head at right—with her tall forehead and rounded chin—is reminiscent of 17th-century Flemish draftsmanship, including head studies by Jacob Jordaens. This suggests that the drawing is likely to have originated in mid-17th-century Flanders.