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Identification and Creation

Object Number
1979.52
People
Jean-Antoine Watteau, French (Valenciennes 1684 - 1721 Nogent-sur-Marne)
Title
Standing Man with Subsidiary Study of a Male Head
Classification
Drawings
Work Type
drawing
Date
c. 1715
Culture
French
Persistent Link
https://hvrd.art/o/294976

Physical Descriptions

Medium
Red, black and white chalk on tan antique laid paper, framing lines in black ink
Dimensions
26.8 × 21.1 cm (10 9/16 × 8 5/16 in.)
Inscriptions and Marks
  • inscription: mount, verso, lower left, brown ink: Wa
  • inscription: mount, lower left, graphite: Watteau
  • inscription: mount, lower right, graphite: 7
  • inscription: mount, verso, upper right, purple ink: CBW / 61
  • inscription: mount, verso, upper left, graphite: 2778
  • inscription: mount, verso, center, graphite: 50ms
  • inscription: mount, verso, lower right, graphite: 3209
  • inscription: mount, verso, lower right, graphite: E. Franc [illegible]
  • inscription: mount, verso, bottom center, brown ink: Dijonval Colln
  • inscription: mount, verso, lower right, graphite: FLH 566
  • watermark: laid down; none visible

Provenance

Recorded Ownership History
Gilbert Paignon-Dijonval, Paris; Andrew James, London, gift; to his daughter, Sarah Ann James, London, by descent; her estate sale, Christie's, London, 22 -23 June 1891, lot 294, sold; to Arthur Tooth & Sons, London; Camille Groult, Paris, gift; to his son, Jean Groult, Paris, by descent, gift; to his son, Pierre Bordeaux-Groult, Paris, by descent; sale, Palais Galliera, Paris, 11 April 1962, lot 40; Robert M. Light, Boston (by 1973), sold; to Philip Hofer, Cambridge; to his wife, Frances L. Hofer, Cambridge, by descent, bequest; to Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer, inv. no. 1979.52

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Frances L. Hofer
Accession Year
1979
Object Number
1979.52
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Pierre-Maurice Bénard, Cabinet de M. Paignon-Dijonval, état détaillé et raisonné des dessins et estampes dont il est composé, Huzard (Paris, 1810), cat. no. 3209, p. 138
  • Edmond de Goncourt, Catalogue raisonné de l'œuvre peint, dessiné et gravé d'Antoine Watteau, Rapilly (Paris, 1875), cat. no. 7, p. 351
  • Karl T. Parker and Jacques Mathey, Antoine Watteau, catalogue complet de son oeuvre dessiné, Libraire F. de Nobele (Paris, 1957), vol. 2, cat. no. 650, p. 325
  • “Acquisitions 1978-1979", Annual Report (Fogg Art Museum), ed. Seymour Slive, Fogg Art Museum (Cambridge, 1978-1980), pp. 87-165, pp. 145-56
  • Eunice Williams, Master Drawings and Watercolors: The Hofer Collection, exh. cat., ed. Konrad Oberhuber and William W. Robinson, Harvard University Art Museums (Cambridge, 1984), cat. no. 27, pp. 37-38, 104
  • Margaret Morgan Grasselli, Pierre Rosenberg, and Nicole Parmantier, Watteau, 1684-1721, exh. cat., National Gallery of Art and Editions de la Réunion des Musées Nationaux (Washington and Paris, 1984), p. 147
  • Marianne Roland Michel, Watteau: un artiste au XVIIIe siècle, Flammarion (Paris, 1984), pp. 97, 100
  • Margaret Morgan Grasselli, "Watteau’s Use of the Trois-Crayons Technique", Drawings Defined, ed. Walter Strauss and Tracie Felker, Abaris Books (New York, 1987), pp. 181-94, pp. 186, 188, 194-n.20
  • Margaret Morgan Grasselli, "The Drawings of Antoine Watteau: Stylistic Development and Problems of Chronology" (1987), Harvard University, cat. no. 139, vol. 1, pp. xiv, 198, 277, 484, vol. 2, n.p.
  • Pierre Rosenberg and Louis-Antoine Prat, Antoine Watteau, 1684-1721: catalogue raisonné des dessins, Leonardo Arte (Milan, 1996), vol. 2, cat. no. 404, pp. 664-65
  • Alan Wintermute, Watteau and His World: French Drawing from 1700 to 1750, exh. cat., Merrell Holberton Publishers / American Federation of Arts (London, 1999), cat. no. 20, pp. 130-31
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 54, repr., p. 18

Exhibition History

  • Master Drawings and Watercolors: The Hofer Collection, Tampa Museum of Art, Tampa, 04/15/1984 - 07/07/1984; Harvard University Art Museums, Fogg Art Museum, Cambridge, 10/05/1984 - 11/29/1984
  • Watteau and His World: French Drawing from 1700 to 1750, The Frick Collection, New York, 10/19/1999 - 01/09/2000; National Gallery of Canada, Ottawa, 02/11/2000 - 05/08/2000

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu