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Photo © President and Fellows of Harvard College
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Identification and Creation

Object Number
1984.591
People
Eustache Le Sueur, French (Paris 1616 - 1655 Paris)
Title
Studies for the Archangel Raphael
Classification
Drawings
Work Type
drawing
Date
c. 1645
Culture
French
Persistent Link
https://hvrd.art/o/294751

Physical Descriptions

Medium
Black and white chalk with traces of white gouache on light-tan antique laid paper, framing lines in black ink, laid down on cream antique laid paper
Dimensions
22.4 × 30 cm (8 13/16 × 11 13/16 in.)
Inscriptions and Marks
  • inscription: none
  • inscription: none

Provenance

Recorded Ownership History
Jean Gigoux, Paris (without his mark, L.1164); Henri Baderou, Rouen; Germain Seligman, New York (his mark, L.3863, lower left); R.M. Light & Co., Santa Barbara (by 1978); Seiden and de Cuevas, Inc., New York; Harvard Art Museums/ Fogg Museum, The Melvin R. Seiden Fund and Louis Haskell Daly Fund, 1984.591

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, The Melvin R. Seiden Fund and Louise Haskell Daly Fund
Accession Year
1984
Object Number
1984.591
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Pierre Rosenberg, "Dessins français du XVIIe et du XVIIIe siècles dans les collections américaines", L'Oeil (Paris, 1972), no. 212-13, pp. 12-13
  • Pierre Rosenberg, French Master Drawings of the 17th & 18th Centuries in North American Collections / Dessins français du 17ème & du 18ème siècles des collections américaines, exh. cat., Secker & Warburg (London, 1972-1973), cat. no. 84, pp. 35, 178-79
  • John Richardson, ed., The Collection of Germain Seligman: Paintings, Drawings and Works of Art, E. V. Thaw & Co., Artemis S.A., and David Carritt Ltd. (New York, Luxembourg, and London, 1979), cat. no. 53, n.p.
  • Alain Mérot, Eustache Le Sueur, Arthena (Paris, 1987), cat. no. D.175, p. 218
  • Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth-Century, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, 1989), p. 189
  • Alvin L. Clark, Jr., Barbara Brejon de Lavergnée, Jean-Francois Méjanès, Alain Mérot, Margaret Morgan Grasselli, Sophie Raux-Carpentier, William W. Robinson, Marianne Roland Michel, and Pierre Rosenberg, Mastery & Elegance: Two Centuries of French Drawings from the Collection of Jeffrey E. Horvitz, exh. cat., ed. Alvin L. Clark, Jr., Harvard University Art Museums (Cambridge, 1998), pp. 102-103
  • Matthias Waschek, Marjorie B. Cohn, Judith Mann, and Stephan Wolohojian, Ideal [Dis-] Placements: Old Masters at the Pulitzer, exh. cat., Pulitzer Arts Foundation (St. Louis, 2008), cat. no. 38, pp. 34-35
  • Louis-Antoine Prat, Le dessin français au XVIIe siècle, Somogy Éditions d'Art (Paris, 2013), pp. 281, 646
  • Diederik Bakhuÿs, Barbara Brejon de Lavergnée, and Elodie Vaysse, L'œil & la main: chefs-d'œuvre du dessin français des XVIe et XVIIe siècles: Musée des Beaux-Arts de Rouen, exh. cat., Musée des Beaux-Arts de Rouen (Rouen, 2019), p 28, fig. 3
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 17, repr., p. 18

Exhibition History

  • French Master Drawings of the 17th & 18th Centuries in North American Collections, Art Gallery of Ontario, Toronto, 09/02/1972 - 10/15/1972; National Gallery of Canada, Ottawa, 11/03/1972 - 12/17/1972; California Palace of the Legion of Honor, San Francisco, 01/12/1973 - 03/11/1973; New York Cultural Center, New York, 04/04/1973 - 05/13/1973
  • Ideal [Dis-] Placements: Old Masters at the Pulitzer, Pulitzer Arts Foundation, St. Louis, 10/24/2008 - 10/03/2009
  • 32Q: 2400 French/Italian/Spanish, Harvard Art Museums, Cambridge, 11/07/2022 - 03/06/2023

Subjects and Contexts

  • Google Art Project
  • Collection Highlights

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu