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Identification and Creation

Object Number
1984.583
People
Sébastien Bourdon, French (Montpellier 1616 - 1671 Paris)
Title
Crucifixion of Saint Peter
Classification
Drawings
Work Type
drawing
Date
c. 1643
Culture
French
Persistent Link
https://hvrd.art/o/294621

Physical Descriptions

Medium
Brown ink and brown wash over graphite on off-white antique laid paper
Dimensions
21.8 x 15.4 cm (8 9/16 x 6 1/16 in.)
Inscriptions and Marks
  • inscription: verso, lower right, brown ink: par M. Bourdon tableau du May.
  • collector's mark: verso, lower center, black ink: GermaIn Seligman (L.3863)
  • collector's mark: lower left, black ink: Charles-Philippe, Marquis de Chennevières-Pointel (L.2072)
  • watermark: none

Provenance

Recorded Ownership History
Possibly sale, Paris, 18 April 1803, lot 139; Antoine-François, Comte Andréossy, Paris; his sale, Paris, 13-16 April 1764, lot 748; Charles-Philippe, Marquis de Chennevières-Pointel, Paris and Bellême (his mark, L. 2072, lower left); his sale, Drouot, Paris, 4-7 April 1900, part of lot 51; Germain Seligman, New York; R.M. Light & Co., Santa Barbara (by 1978); Seiden and de Cuevas, Inc., New York; Harvard Art Museums/ Fogg Museum, The Melvin R. Seiden Fund and Louis Haskell Daly Fund, 1984.583

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, The Melvin R. Seiden Fund and Louise Haskell Daly Fund
Accession Year
1984
Object Number
1984.583
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Pierre Rosenberg, French Master Drawings of the 17th & 18th Centuries in North American Collections / Dessins français du 17ème & du 18ème siècles des collections américaines, exh. cat., Secker & Warburg (London, 1972-1973), p. 141
  • John Richardson, ed., The Collection of Germain Seligman: Paintings, Drawings and Works of Art, E. V. Thaw & Co., Artemis S.A., and David Carritt Ltd. (New York, Luxembourg, and London, 1979), cat. no. 6, n.p.
  • Charles-Phillippe, Marquis de Chennevières-Pointel, “Une collection de dessins d’artistes français”, L'Artiste, L'Artiste (Paris, 1984-1987), p. 29
  • Brigitte Scart, Dessins français du XVIIe siècle, exh. cat., ed. Roseline Bacou, Réunion des Musées Nationaux (Paris, 1984-1985), p. 101
  • Emmanuelle Brugerolles, Les dessins de la collection Armand-Valton: la donation d’un grand collectionneur du XIXe siècle à l’École des Beaux-Arts, Ecole Nationale Superieure des Beaux-Arts (Paris, 1984), pp. 223, 278
  • Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth-Century, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, 1989), p. 182
  • Jacques Thuillier and Corinne Maisant, Sébastien Bourdon, 1616-1671: catalogue critique et chronologique de l’oeuvre complet, exh. cat., Réunion des Musées Nationaux (Paris, 2000), cat. 75-II-l, pp. 48, 52, 215
  • Emmanuelle Brugerolles and David Guillet, ed., Poussin, Claude, and Their World: Seventeenth-Century French Drawings from the École des Beaux-Arts, exh. cat., Ecole Nationale Superieure des Beaux-Arts and The Frick Collection (Paris and New York, 2001-2002), p. 278
  • Heinz Widauer, "Sébastian Bourdon : sa vie artistique à la lumière de quelques dessins", Dessins français aux XVIIe et XVIIIe siècles: Rencontres de l'Ecole du Louvre, ed. Nicolas Sainte Fare Garnot, École du Louvre (Paris, 2003), vol. 17, pp. 153-54
  • Louis-Antoine Prat and Laurence Lhinares, La collection Chennevieres: quatre siècles de dessins français, Musée du Louvre (Paris, 2007), cat. no. 679, pp. 149, 395
  • Louis-Antoine Prat, Le dessin français au XVIIe siècle, Somogy Éditions d'Art (Paris, 2013), pp. 342-43, 649
  • Diederik Bakhuÿs, Barbara Brejon de Lavergnée, and Elodie Vaysse, L'œil & la main: chefs-d'œuvre du dessin français des XVIe et XVIIe siècles: Musée des Beaux-Arts de Rouen, exh. cat., Musée des Beaux-Arts de Rouen (Rouen, 2019), pp. 28-29
  • Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 16, repr.

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu