2023.633: Men in Middle Eastern Costume

Identification and Creation

Object Number

2023.633

People

Arent de Gelder, Dutch (Dordrecht 1645 - 1727 Dordrecht)

Title

Men in Middle Eastern Costume

Classification

Drawings

Work Type

drawing

Date

c. 1661-1662

Culture

Dutch

Persistent Link

https://hvrd.art/o/293769

Physical Descriptions

Medium

Brown ink, white opaque watercolor, some brown wash on cream antique laid paper

Dimensions

15.1 × 19.5 cm (5 15/16 × 7 11/16 in.)

Provenance

Recorded Ownership History

[Parsons & Sons Gallery, London, 1923]. [Art market, Berlin, 1934]. [Charles Albert de Burlet, Basel, 1951]. [1] Herbert List, Munich. Sold [through unidentified auction, Berlin, May 11, 1964, lot 252]. [Alfred Brod, London.] [Annette Ruth Brod, London, by 1970], sold; to Maida and George Abrams, Boston, 1991

[1] 1951 comes from the RKD

Acquisition and Rights

Credit Line

The Maida and George Abrams Collection, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, Gift of George Abrams in appreciation of Martin Royalton-Kisch

Accession Year

2023

Object Number

2023.633

Division

European and American Art

Contact

am_europeanamerican@harvard.edu

Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

• William R. Valentiner, Die Handzeichnungen Rembrandts, E. Weyhe Gallery and Deutsche Verlags-Anstalt (New York and Stuttgart, Germany, 1925), Vol. 2, pp. xxxiii-xxxv, repr. as fig. 34
• M.D. Henkel, Catalogus van de Nederlandsche Teekeningen in het Rijksmuseum te Amsterdam, Algemeene Landsdrukkerij (The Hague, 1943), vol. I, p. 84, under no. 1
• Alfred Bader, "Aert de Gelder's 'Forecourt of a Temple'", The Burlington Magazine (October 1970), vol. 112, no. 811, pp. 690-692, pp. 690-692, repr. p. 691 as fig. 42
• Werner Sumowski, Drawings of the Rembrandt School, ed. Walter Strauss, Abaris Books (New York, NY, 1979), pp. 2338, no. 1052, repr.
• Arent de Gelder: Rembrandts laatste leerling, exh. cat., Dordrechts Museum/Snoeck-Ducaju & Zoon (Dordrecht/Ghent, 1998), cat. no. 58, repr. (color), also p. 110, detail p. 254; pp. 112, 114
• William W. Robinson, Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection, exh. cat., Harvard University Art Museums (Cambridge, MA, 2002), cat. no. 54, repr.
• Peter Schatborn, Carel van Tuyll van Serooskerken, and Hélène Grollemund, Rembrandt dessinateur: Chefs-d'oeuvre des collections en France, Musée du Louvre Éditions and Somogy Éditions d'Art (Paris, 2006), p. 25, n. 65
• Holm Bevers, Lee Hendrix, William W. Robinson, and Peter Schatborn, Drawings by Rembrandt and his Pupils: Telling the Difference, exh. cat., J. Paul Getty Museum (Los Angeles, 2009), cat. no. 39.2, pp. 230-31, 260, repr. in color p. 229; under cat. no. 40.2, p. 234; under cat. no. 41.2, pp. 238-39
• Catalogue of Drawings by Rembrandt and his School in the British Museum, website, British Museum, 2010, under cat. no. Drost.4, under cat. no. Gelder.1, and under cat. no. Gelder.2
• Peter Schatborn, Rembrandt and his Circle: Drawings in the Frits Lugt Collection, Thoth Publishers and Fondation Custodia (2010), vol. 1, p. 223, under cat. no. 88
• Peter C. Sutton and William W. Robinson, Drawings by Rembrandt, his Students and Circle from the Maida and George Abrams Collection, exh. cat., Bruce Museum and Yale University Press (U.S.) (New Haven and London, 2011), p. 134-135, cat. no. 49, repr.
• Annemarie Stefes, Niederländische Zeichnungen 1450-1850: Kupferstichkabinett der Hamburger Kunsthalle, ed. Andreas Stolzenburg and Hubertus Gaßner, Böhlau Verlag (Cologne, 2011), vol. 1, p. 233, under cat. no. 346
• Stephanie Schrader, ed., Rembrandt and the Inspiration of India, exh. cat., J. Paul Getty Museum (Los Angeles, 2018), p. 47, repr. as fig. 32
• Amy Golahny, "Exhibition Review: Imagine Me and You: Dutch and Flemish Encounters with the Islamic World, 1450-1750", Historians of Netherlandish Art Reviews, Historians of Netherlandish Art ([online], July 2024), https://hnanews.org/hnar/reviews/exhibition-review-imagine-me-and-you-dutch-and-flemish-encounters-with-the-islamic-world-1450-1750/, accessed July 17, 2024

Exhibition History

• Arent de Gelder: Rembrandts laatste leerling, Dordrechts Museum, Dordrecht, 10/10/1998 - 01/17/1999; Wallraf-Richartz-Museum, Cologne, 02/19/1999 - 05/19/1999
• Bruegel to Rembrandt: Dutch and Flemish Drawings from the Maida and George Abrams Collection, British Museum, London, 06/13/2002 - 09/22/2002; Institut Néerlandais, Paris, 10/10/2002 - 12/08/2002; Harvard University Art Museums, Cambridge, 03/22/2003 - 07/06/2003
• Drawings by Rembrandt and His Pupils: Telling the Difference, J. Paul Getty Museum, Los Angeles, 12/08/2009 - 02/28/2010
• Drawings by Rembrandt, his Students and Circle from the Collection of Maida and George Abrams, Bruce Museum, Greenwich, 09/24/2011 - 01/08/2012; The Museum of Fine Arts, Houston, Houston, 04/15/2012 - 07/08/2012
• Imagine Me and You: Dutch and Flemish Encounters with the Islamic World, 1450–1750, Harvard Art Museums, Cambridge, 05/18/2024 - 08/18/2024

Subjects and Contexts

• Dutch, Flemish, & Netherlandish Drawings

Verification Level