M26457: False Food Selection
Multiples
This object does not yet have a description.
Identification and Creation
- Object Number
- M26457
- People
-
Claes Oldenburg, American (Stockholm, Sweden 1929 - 2022 New York, New York)
Designed by George Maciunas, American (Kaunas, Lithuania 1931 - 1978 Boston, MA)
Published by Fluxus, American
- Title
- False Food Selection
- Classification
- Multiples
- Work Type
- multiple
- Date
- 1966
- Places
- Creation Place: North America, United States
- Culture
- American
- Persistent Link
- https://hvrd.art/o/29325
Physical Descriptions
- Medium
- Wooden box with offset printed label, containing readymade plastic foods
- Technique
- Mixed technique
- Dimensions
-
box closed: 8.9 x 42.2 x 19.5 cm (3 1/2 x 16 5/8 x 7 11/16 in.)
box open: 17.8 x 42.2 x 36.8 cm (7 x 16 5/8 x 14 1/2 in.)
Provenance
- Recorded Ownership History
- Barbara Moore, Bound/Unbound, New York, New York, partial gift partial purchase; to Harvard University Art Museums, June 28, 2005.
State, Edition, Standard Reference Number
- Standard Reference Number
- S. 341
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound
- Copyright
- © Claes Oldenburg
- Accession Year
- 2005
- Object Number
- M26457
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- One of a small number of prototypes for a planned but never editioned multiple. Oldenburg recalls that this planned Fluxus edition was a variation of another planned, unrealized edition with Multiples, Inc. for a lunch box with several handmade objects to be cast and encased in plastic. He notes that "in order to conform to the Fluxus movement's emphasis on found objects, I proposed a selection of purchased food imitations, like many of the items found in the 'museum'. Maciunas would obtain as many items as he could from various suppliers. I would choose from among them until I has a group I liked." (Claes Oldenburg: Multiples in Retrospect, p. 24). The box, divided into five compartments, contains 24 items, including (1) ham & eggs (glued to the inside of the lid); in compartment 1: 1 pickle, 1 hot dog, and 1 oatmeal cookie; compartment 2: 1 tomato and 1 pear; compartment 3: 5 "Bakeland" cookies, 5 round butter cookies, 1 "Milk Arrowroot" biscuit, and 1 poppyseed roll; compartment 4: 4 petit-fours, 1 chocolate doughnut; and compartment 5: 1 banana.
Publication History
- Claes Oldenburg, Claes Oldenburg: Multiples in Retrospect, 1964-1990, Rizzoli International Publications, Inc. (New York, 1991), pp. 24-5
- Susan Dackerman, ed., Corita Kent and the Language of Pop, exh. cat., Harvard Art Museums (Cambridge, MA, 2015), pp. 172-173, cat. 44, ill. (color)
- Susan Costello, Angela Chang, Georgina Rayner, and Elizabeth La Duc, Preserving plastics in the collection at the Harvard Art Museums, Apollo - University of Cambridge Repository, Apollo - University of Cambridge Repository (https://doi.org/10.17863/CAM.104117, 2023), 47-61, Figure 4, Page 53
Exhibition History
- Multiple Strategies: Beuys, Maciunas, Fluxus, Harvard University Art Museums, Cambridge, 02/24/2007 - 06/10/2007
- 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 01/22/2022 - 05/08/2022
- Corita Kent and the Language of Pop, Harvard Art Museums, Cambridge, 09/03/2015 - 01/03/2016; San Antonio Museum of Art, San Antonio, 02/13/2016 - 04/13/2016
Related Articles
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu