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Identification and Creation

Object Number
1898.3
Title
Lekythos (oil flask): Woman and Youth at Tomb Monument
Classification
Vessels
Work Type
vessel
Date
c. 450 BCE
Places
Creation Place: Ancient & Byzantine World, Europe, Attica
Culture
Greek
Persistent Link
https://hvrd.art/o/292708

Physical Descriptions

Medium
Terracotta
Technique
White ground

Provenance

Recorded Ownership History
Lowell D. Allen, said to have purchased in Athens, 1875, sold; to Charles G. Loring (after 1886, before 1898), gift; to Fogg Art Museum, 1898.
Footnotes:
1. In December 1886 was at Museum of Fine Arts, Boston, on loan from Allen.

State, Edition, Standard Reference Number

Standard Reference Number
Beazley Archive Database #13409

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Charles G. Loring
Accession Year
1898
Object Number
1898.3
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
The decoration on this vase is very poorly preserved, and much of the scene has rubbed off. In the center there is a gravestone on a two-stepped platform, topped by an acanthus finial. One woman approaches from the left, carrying a basket of offerings to the grave. On the other side is another woman, facing to the right, wearing a long red tunic (chiton) and with her bare right arm extended towards the gravestone.
Commentary
This vase is an example of a special type of Athenian vessel, the white-ground lekythos (oil flask). Unlike other Athenian pottery, which was regularly produced for export across the Mediterranean, and especially to Italy, white-ground lekythoi are only rarely found outside of Attica, the region surrounding Athens.

The white-ground decorative technique produces decoration which is much less stable than the red-figure or black-figure technique and is mostly used for vessels with funerary or ritual functions that do not demand heavy use. White ground lekythoi regularly feature decoration only on the front of the vessel, with the back left blank, and even decorative friezes extending only halfway around the vessel.

This type of vase was in common production from around 480 B.C.E. until towards the end of the fifth century. Its popularity in this period may be related to the absence of any private gravestones in Attica from around 490-80 to 430 B.C.E. Exactly why the Athenians stopped producing gravestones for half a century is not entirely clear, but the white-ground lekythos might be thought of as replicating some of the ritual and commemorative functions of a gravestone. A great many examples feature a representation of a grave monument.

These vases were designed to hold oil and seem to have been used in a number of different ways in funerary ritual: burned with the body in cremations, for pouring oil libations on the body or the grave site, and as offerings left at or in a burial. The great majority have been found in and around graves.

Accordingly, their painted decoration usually features scenes connected with funerary ritual or the mythology of the afterlife, and can give us some insight into ancient Athenian funerary practices and ideas about death. This scene shows a visit to the grave by the family of the deceased. Sometimes scenes of this kind will include a figure who seems to represent the dead individual, but it is often not possible to make identifications like this with any certainty.

On white-ground lekythoi in general, see:
J. D. Beazley, Greek Vases: Lectures by J. D. Beazley, ed. D. C. Kurtz (Oxford, 1989), pp. 26-38 with pll. 17-24.
John H. Oakley, Picturing Death in Classical Athens: The Evidence of the White Lekythoi (Cambridge, 2004).

Publication History

  • John Henry Wright, Unpublished White Lekythoi from Attika, American Journal of Archaeology (1886), 2(4), pp. 385-407, p. 395, no. 2, pll. 12-13, fig. 8
  • George H. Chase and Mary Zelia Pease, Corpus Vasorum Antiquorum, U.S.A.: volume 8, Fogg Museum and Gallatin Collections, Harvard University Press (Cambridge, MA, 1942), p. 40, pl. 22.3

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu