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Identification and Creation

Object Number
1995.1123
People
Jacopo Palma Giovane, Italian (Venice, Italy c. 1548 - 1628 Venice, Italy)
Title
Study for "Paradise," planned for the Sala del Maggior Consiglio, Palazzo Ducale, Venice
Classification
Drawings
Work Type
drawing
Date
c. 1582-1583
Places
Creation Place: Europe, Italy, Veneto, Venice
Culture
Italian
Persistent Link
https://hvrd.art/o/292451

Physical Descriptions

Medium
Brown ink and brown wash over black chalk on cream antique laid paper, laid down overall to thick cream antique laid paper
Dimensions
29.5 x 56.4 cm (11 5/8 x 22 3/16 in.)
Inscriptions and Marks
  • inscription: l.l., graphite, French: Porte d'Entrée
  • inscription: l.l., graphite, French: Urne pour le scrutin
  • inscription: Upper center, Graphite, French: Peinture du Fond de la Salle du Grand Conseil à Venise
  • inscription: Lower center, graphite, French: Place des Inquisiteurs d'Etat Place du Doge Place du Conseil de Dio [?]
  • inscription: l.r., Graphite, French: Urne pour le scrutin
  • inscription: l.r., Graphite, French: Porte d'Entrée

Provenance

Recorded Ownership History
Louis Dimier, Paris (Lugt 1721c), possibly Paris, 1921. [1] Richard S. Davis, Wayzata, sold; to [Robert M. Light & Co., Santa Barbara], sold; to Donald Outerbrigde, partial gift; to Harvard University Art Museums, 1995.

[1] Possibly by sale in Paris, 1921 with M. Paulme and G. B. Lasquin. See Lugt Sale, December 15, 1921.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Donald Outerbridge and Robert M. Light and purchase through the generosity of Sheldon and Leena Peck, Melvin R. Seiden, Sarah-Ann and Werner H. Kramarsky, Sally and Howard Lepow, and an anonymous donor
Accession Year
1995
Object Number
1995.1123
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Stephanie Mason Rinaldi, "Disegni preparatori per dipinti di Jacopo Palma Il Giovane", Arte veneta: rivista di storia dell'arte (1972), vol. 26, pp. 92-110, pp. 102-103; repr. fig. 124, p. 104
  • Terisio Pignatti, Venetian Drawings from American Collections, exh. cat., National Gallery of Art (Washington, D.C., 1974), cat. no. 32, pp. 20-21; pl. 32, n.p.
  • Ebria Feinblatt, Old Master Drawings from American Collections, exh. cat., Los Angeles County Museum of Art/Allanheld & Schram (Los Angeles, 1976), cat. no. 52, p. 48; repr. fig. 52, p. 49
  • Stephanie Mason Rinaldi, Palma il Giovane: L'opera completa, Alfieri / Gruppo Editoriale Electa (Milan, Italy, 1984), no. D183, pp. 163-164; also under no. 146, p. 92; fig. 104, p. 228
  • Wolfgang Wolters, Storia e politica nei dipinti di Palazzo Ducale, Banco San Marco/Arsenale Editrice (Venice, 1987), pp. 290-291, fig. 308
  • Harvard University Art Museums, Harvard University Art Museums Annual Report 1995-96, Harvard University Art Museums Bulletin (Cambridge, MA, Summer 1997), vol. V, no. 3, pp. 15-16, ill. p. 15
  • James Cuno, ed., A Decade of Collecting: Recent Acquisitions by the Harvard University Art Museums, Harvard University Art Museums (Cambridge, Mass., Spring 2000), pp. 44 and 45; repr. (color), p. 45
  • Jean Habert, Le "Paradis" de Tintoret: Un concours pour le palais des Doges, exh. cat., 5 Continents Editions/Musée du Louvre (Milan/Paris, 2006), cat. no. 5, repr. (color), pp. 39, 74, 76, 77, 79
  • Diana Gisolfi, Paolo Veronese and the Practice of Painting in Late Renaissance Venice, Yale University Press (New Haven, 2017), p. 180, fig. 271

Exhibition History

  • Venetian Drawings from American Collections, National Gallery of Art, Washington, 09/21/1974 - 11/24/1974; Kimbell Art Museum, Fort Worth, 12/01/1974 - 02/28/1975; Saint Louis Art Museum, St. Louis, 03/01/1975 - 04/20/1975
  • Old Master Drawings from American Collections, Los Angeles County Museum of Art, Los Angeles, 04/29/1976 - 06/13/1976
  • A Decade of Collecting: Recent Acquisitions of Prints and Drawings from 1480 to 1940, Harvard University Art Museums, Cambridge, 03/25/2000 - 07/02/2000
  • Le "Paradis" de Tintoret: Un concours pour le palais des Doges, Musée du Louvre, Paris Cedex 01, 02/08/2006 - 05/08/2006
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 08 Rotation 2), Harvard Art Museums, Cambridge, 10/23/2008 - 11/16/2008
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 09 Rotation 2), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 10/16/2009 - 11/08/2009
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 10 Rotation 2), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 10/15/2010 - 11/06/2010
  • 32Q: 2540 Renaissance, Harvard Art Museums, Cambridge, 09/09/2015 - 03/02/2016

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu