Harvard Art Museums > 1920.44.222: Head of a Child Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Head of a Child , 1920.44.222,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/292367. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1920.44.222 Title Head of a Child Classification Sculpture Work Type sculpture, head Date 1st-2nd century CE Period Roman Imperial period Culture Roman Persistent Link https://hvrd.art/o/292367 Physical Descriptions Medium Marble, from Italy or North Africa Dimensions 15.2 x 6.4 cm (6 x 2 1/2 in.) Provenance Recorded Ownership History Miss Elizabeth Gaskell Norton, Boston, MA and Miss Margaret Norton, Cambridge, MA (by 1920), gift; to the Fogg Museum, 1920. Note: The Misses Norton were daughters of Charles Elliot Norton (1827-1908). Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Misses Norton Accession Year 1920 Object Number 1920.44.222 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990137 Head of a Child The back of the bust is flat. The right side of the head and the left side of the nose are chipped. There are also chips on the right eyebrow, forehead, and right cheek. A crack runs vertically down the full side of the right cheek, and there is an incision going almost at right angles across the crack. The right side of the bust is finished, as is a curved section under the left side, as if for placement against a curved frame. The pose is frontal, with the hair worn in curled bangs and a heavy wreath around the head. The cheeks are fat, and the chin pointed, the eyes hollowed out and mouth wide open. There are two incised ridges on the front of the neck. There is also a wreath with rosettes and leaves around the shoulders. There is a possibility that these rosettes are intended to be bunches of grapes and that the ideal subject, a smiling child of the Neronian to Trajanic periods (A.D. 55-115), is the infant Dionysos or a satyr-child. The tops of the ears are covered by the vines and leaves. Save for the manner of representing the hair around the forehead, this bust is similar to the small, decorative herms set on shafts against walls in Pompeiian houses. Such herms vary widely as to subject matter, including older satyrs, Silenus, bearded Dionysos, and early Hellenistic kings who were represented in the fashions of these bearded divinities. Cornelius Vermeule and Amy Brauer Publication History Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 149, no. 137 Exhibition History 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 01/20/2018 - 05/06/2018 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu