Harvard Art Museums > 1920.44.32: Right Hand Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Right Hand , 1920.44.32,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/292174. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1920.44.32 Title Right Hand Classification Sculpture Work Type sculpture Date 150-50 BCE Period Hellenistic period Culture Greek? Persistent Link https://hvrd.art/o/292174 Physical Descriptions Medium Marble from Greek islands Dimensions 7.6 cm (3 in.) Provenance Recorded Ownership History Miss Elizabeth Gaskell Norton, Boston, MA and Miss Margaret Norton, Cambridge, MA (by 1920), gift; to the Fogg Museum, 1920. Note: The Misses Norton were daughters of Charles Elliot Norton (1827-1908). Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of the Misses Norton Accession Year 1920 Object Number 1920.44.32 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 199073 Right Hand The hand was joined to the arm by an iron pin, at a point just beyond the wrist. When the hand was detached, this pin split the marble, so that part of the outside of the wrist and arm were broken away. The ends of the thumb and four fingers have been cut away and smoothed, seemingly in antiquity. This hand is perhaps from a small statue of Aphrodite in the Alexandrian mode. There are several possible explanations for the unusual condition of the thumb and four fingers of this right hand. The hand may have been covering the body in a gesture of modesty, and the sculptor may have cut back the fingers because he miscalculated the position of the right arm. Similarly, the hand may have been holding and partly concealed by a heavy set of tresses. For this reason, also, the fingers and thumb might not have been finished. Finally, it could have been merely that the hand was damaged in antiquity and the fingers later smoothed off. Cornelius Vermeule and Amy Brauer Publication History Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 90 , no. 73 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu