Harvard Art Museums > 1932.56.129: Funerary Plaque Plaques Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Funerary Plaque , 1932.56.129,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/292045. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1932.56.129 Title Funerary Plaque Classification Plaques Work Type plaque Date 41-54 CE Period Roman Imperial period, Early Culture Roman Persistent Link https://hvrd.art/o/292045 Physical Descriptions Medium Luna marble Dimensions 39.5 x 29 x 13.5 cm (15 9/16 x 11 7/16 x 5 5/16 in.) Inscriptions and Marks inscription: on lower edge, in Latin, S T A T O R I A . M . F . Q A R A inscription: on the back, in Latin in seven lines, C . S T A T O R I U S / M ' E . T E R T U L L A / S T A T O R I A E . C . F / A P P I A E A N . C . X X I I / C . S T A O R I O P R O C U / I O . E . A N N X X V Provenance Recorded Ownership History Dr. Harris Kennedy, Milton, MA (by 1932), gift; to the William Hayes Fogg Art Museum, 1932. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Harris Kennedy, Class of 1894 Accession Year 1932 Object Number 1932.56.129 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990104 Funerary Plaque The surface of the face is fairly evenly obliterated, with only the general outline of the face and the inner corners of the eyes being visible. The surface of the hand is destroyed, save for the third and fourth fingers. The beads of the necklace are broken on the surface, and the robe is chipped on the right breast. The frame is chipped at the top right corner and also a little left of the center. It appears to have been recut around the outer edge to imitate the moldings of an Etruscan (Italic) to early Roman cippus. In this case, the back was smoothed off and the longer inscription added in modern times. The styles of the hair, eyes, face in general, and clothing all suggest a date in the time of Claudius (A.D. 41-54). The lady even looks something like Messalina. The rectangular plaque has the head of a woman in relief. Her hair is drawn back, and the ends hang in curls over each shoulder. She wears a necklace of beads. Her right hand clasps her garment below the left shoulder. The inscriptions read: (on the lower edge) S T A T O R I A - M - F - Q A R Ᾱ (on the back) C - S T A T O R I V S S I P P O - M A N I L M ‘ E - T E R T U L L A S T A T O R I A E - C - F A P P I A E A N - C - X X I I C - S T A O R I O P R O C V I O - E - A N N X X V Cornelius Vermeule and Amy Brauer Publication History Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 116, no. 104 John Bodel, "Thirteen Latin Funerary Inscriptions at Harvard University", American Journal of Archaeology (1992), Vol. 96.1, 71-100, p. 97-100, no. 13, figs. 14-15. John Bodel and Stephen Tracy, Greek and Latin Inscriptions in the USA: A checklist, American Academy in Rome (New York, 1997), p. 53. Exhibition History 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 01/20/2018 - 05/06/2018 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu