M26476: Disappearing Music for Face
Prints
This object does not yet have a description.
Identification and Creation
- Object Number
- M26476
- People
-
Mieko (Chieko) Shiomi, Japanese (Okayama, Japan born 1938)
Yoko Ono, American (Tokyo, Japan born 1933)
Peter Moore, American (London, England 1932 - 1993 New York, USA)
Published by Fluxus, American
- Title
- Disappearing Music for Face
- Classification
- Prints
- Work Type
- artist's book
- Date
- late 1960s
- Culture
- American
- Persistent Link
- https://hvrd.art/o/29162
Physical Descriptions
- Medium
- Offset-printed flipbook
- Technique
- Photolithograph
- Dimensions
- cover: 4.6 x 5.8 x 0.3 cm (1 13/16 x 2 5/16 x 1/8 in.)
Provenance
- Recorded Ownership History
- Barbara Moore, Bound/Unbound, New York, New York, partial gift partial purchase; to Harvard University Art Museums, June 28, 2005.
State, Edition, Standard Reference Number
- Standard Reference Number
- S. 407
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound
- Copyright
- © Yoko Ono
- Accession Year
- 2005
- Object Number
- M26476
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
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Descriptions
- Description
- The "Disappearing Music for Face" flipbook was produced by Maciunas using stills from the fluxfilm of the same name. The film is of a smile (Yoko Ono) filmed (by Peter Moore) with a high-speed camera. When projected at normal speed, the effect is of extreme slow-motion. Maciunas had hoped to produce a number of flipbook versions of Fluxfilms, but only this and Dick Higgins's "Invocation of Canyons and Boulders" were made. See also George Brecht's flipbook "Nutbone: A Yamfest Movie", included in "Flux Year Box 2" (M26448.2).
Exhibition History
- 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 10/20/2022 - 04/24/2023
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu