Harvard Art Museums > M26476: Disappearing Music for Face Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Disappearing Music for Face (Mieko (Chieko) Shiomi)(Yoko Ono)(Peter Moore)(Published by Fluxus) , M26476,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/29162. This object does not yet have a description. Identification and Creation Object Number M26476 People Mieko (Chieko) Shiomi, Japanese (Okayama, Japan born 1938) Yoko Ono, American (Tokyo, Japan born 1933) Peter Moore, American (London, England 1932 - 1993 New York, USA) Published by Fluxus, American Title Disappearing Music for Face Classification Prints Work Type artist's book Date late 1960s Culture American Persistent Link https://hvrd.art/o/29162 Physical Descriptions Medium Offset-printed flipbook Technique Photolithograph Dimensions cover: 4.6 x 5.8 x 0.3 cm (1 13/16 x 2 5/16 x 1/8 in.) Provenance Recorded Ownership History Barbara Moore, Bound/Unbound, New York, New York, partial gift partial purchase; to Harvard University Art Museums, June 28, 2005. State, Edition, Standard Reference Number Standard Reference Number S. 407 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Barbara and Peter Moore Fluxus Collection, Margaret Fisher Fund and gift of Barbara Moore/Bound & Unbound Copyright © Yoko Ono Accession Year 2005 Object Number M26476 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description The "Disappearing Music for Face" flipbook was produced by Maciunas using stills from the fluxfilm of the same name. The film is of a smile (Yoko Ono) filmed (by Peter Moore) with a high-speed camera. When projected at normal speed, the effect is of extreme slow-motion. Maciunas had hoped to produce a number of flipbook versions of Fluxfilms, but only this and Dick Higgins's "Invocation of Canyons and Boulders" were made. See also George Brecht's flipbook "Nutbone: A Yamfest Movie", included in "Flux Year Box 2" (M26448.2). Exhibition History 32Q: 1100 60’s Experiment, Harvard Art Museums, Cambridge, 10/20/2022 - 04/24/2023 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu
