After treatment Photo © President and Fellows of Harvard College
Identification and Creation
Object Number
1925.30.34
People
The Geras Painter, Greek (active 480 BCE `)
Title
Pelike (wine container): Striding Herakles
Classification
Vessels
Work Type
vessel
Date
c. 490-480 BCE
Places
Creation Place: Ancient & Byzantine World, Europe, Attica
Period
Archaic period
Culture
Greek
Persistent Link
https://hvrd.art/o/291593
Physical Descriptions
Medium
Terracotta
Technique
Red-figure
Dimensions
h. 21.2 x diam. 15.8 cm (8 3/8 x 6 1/4 in.)
Provenance
Joseph Hoppin collection; purchased in Rome, 1898.
State, Edition, Standard Reference Number
Standard Reference Number
Beazley Archive Database #202582
Acquisition and Rights
Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Joseph C. Hoppin
Accession Year
1925
Object Number
1925.30.34
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
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Descriptions
Description
On one side, Herakles strides along with club in his right hand and carrying a pole with two suspended transport amphorae (storage jars) over left shoulder
On the other side, a satyr a in long skirt draws water, or maybe even wine, from a well.
Publication History

Joseph Clark Hoppin, A Handbook of Attic Red-Figure Vases (Cambridge, 1919), Pl. 12.3-4.

J. D. Beazley, Attische Vasenmaler des rotfigurigen Stils. (Tübingen, 1925), pl. 109, no. 10

Joseph Clark Hoppin and Albert Gallatin, Corpus Vasorum Antiquorum, U.S.A.: volume 1, Hoppin and Gallatin Collections, Libraire Ancienne Edouard Champion (Paris, 1926), p. 8, pl. 12, 3-4

J. D. Beazley, [Review of Hoppin C.V.A.], The Journal of Hellenic Studies, Society for the Promotion of Hellenic Studies (London, England, 1927), 47, p. 148

D. A. Amyx, "A New Pelike by the Geras Painter", American Journal of Archaeology (New York, 1945), vol. 49, no. 4, pp. 508-518, pp. 515-517, no. 24

J. D. Beazley, Attic Red-Figure Vase-Painters, The Clarendon Press (Oxford, England, 1963), p. 174, no. 4

John Oakley, William D. E. Coulson, and Olga Palagia, ed., Athenian Potters and Painters: The Conference Proceedings, Oxbow Books (Oxford, 1997), p. 229, note 128

Lexicon Iconographicum Mythologiae Classicae (LIMC), Artemis (Zürich, Switzerland, 1999), Vol. 4, Herakles 1324 and 3217.

Beth Cohen, ed., Not the Classical Ideal: Athens and the Construction of the Other in Greek Art, Brill Academic Publishers (Leiden) (Leiden, 2000), p. 61

Raimund Wünsche, ed., Herakles, Herkules, Staatliche Antikensammlungen Munchen (Munich, 2003), p. 263, fig. 43.2.

Alan W. Johnston, Trademarks on Greek Vases: Addenda, Aris and Phillips (Warminster, England, 2006)

François Lissarrague, La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013), p. 211, fig. 184.

Alexander Heinemann, Der Gott des Gelages: Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr., De Gruyter (Berlin, 2016), pp. 336-337, fig. 214

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu