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Gallery Text

The cloaked man on this tomb relief is accompanied by an Aramaic inscription that reads: Malē, son of

Maliku, son of Bagad. Alas! The man’s son, standing behind him on a pedestal, is also identified as

Maliku. The clothing of the two figures is culturally mixed: Malē has a hairstyle popular in the time of

Hadrian, and his tunic and cloak are Greco-Roman in style, while Maliku is dressed in a shorter tunic and

what may be Parthian trousers. As with other Palmyrene funerary reliefs, Malē’s portrait is notable for its frontality, which encourages the viewer to engage directly with the image of the deceased.

Identification and Creation

Object Number
1998.3
Title
Funerary Relief of a Man and Child
Classification
Sculpture
Work Type
sculpture
Date
c. 150 CE
Places
Creation Place: Ancient & Byzantine World, Asia, Palmyra (Syria)
Period
Roman Imperial period, Middle
Culture
Syrian
Persistent Link
https://hvrd.art/o/291586

Location

Location
Level 3, Room 3710, North Arcade
View this object's location on our interactive map

Physical Descriptions

Medium
Limestone
Technique
Carved
Dimensions
66 cm h x 56.5 cm w x 22 cm d (26 x 22 1/4 x 8 11/16 in.)
Inscriptions and Marks
  • inscription: in Aramaic,

    "Male, son of Maliku, son of Bagad, Alas!"; "Maliku, his son, Alas!"

Provenance

Recorded Ownership History
Semitic Museum, Cambridge, MA, (by 1941), transfer; to Harvard University Art Museums, 1998.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Semitic Museum, Harvard University
Accession Year
1998
Object Number
1998.3
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990
A small child stands at the young man's side on a pedestal to the left of the man's right shoulder. The man wears his hair in the combed-forward manner popular in the Roman Empire under Hadrian (AD 125-135). He has a ring with an inset stone on the smallest finger of the left hand. his costume consists of a himation over a loose chiton, the former concealing all of the right arm except for the hand and all the left arm save for the hand that holds a rotulus. The child wears a long tunic with overfold at the waist, covering both arms. He holds a cluster of fruit or a flower in the left hand.



The inscription to the right of the man reads "Male, son of Maliku, son of Bagad, Alas!: The boy's inscription reads "Maliku, his son, Alas."



With the child omitted and the hair arranged in somewhat more early Antonine fashion, this man is identical in costume and sculptural treatment to the monument of Moquimu in the Museum of Fine Arts, Boston. If individual sculptor's hands are to be isolated in Palmyrene funerary sculpture, two monuments by the same carver seem to survive in both the Harvard University Art Museums and the Museum of Fine Arts (Comstock, Vermeule, 1976, p. 256, no. 399).



Cornelius Vermeule and Amy Brauer

Publication History

  • Gandharan Art and its Classical Connections, Fogg Art Museum (Cambridge, MA, 1983), no. 6, illus.
  • Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 165, no. 151
  • Delbert R. Hillers and Eleonora Cussini, Palmyrene Aramaic Texts, The Johns Hopkins University Press (Baltimore, 1995), p. 315, PAT 2721

Exhibition History

  • Roman Gallery Installation (long-term), Harvard University Art Museums, Cambridge, 09/16/1999 - 01/20/2008
  • Gods in Color: Painted Sculpture of Classical Antiquity, Harvard University Art Museums, Cambridge, 09/22/2007 - 01/20/2008
  • 32Q: 3710 North Arcade, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu