1960.346: Column Krater (bowl for mixing wine and water): Komos Scene
Vessels
This object does not yet have a description.
Identification and Creation
- Object Number
- 1960.346
- People
-
The Pig Painter, Greek (active c. 470 BCE)
- Title
- Column Krater (bowl for mixing wine and water): Komos Scene
- Classification
- Vessels
- Work Type
- vessel
- Date
- 480-470 BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Attica
- Period
- Classical period, Early
- Culture
- Greek
- Persistent Link
- https://hvrd.art/o/290820
Physical Descriptions
- Medium
- Terracotta
- Technique
- Red-figure
- Dimensions
- 41.3 x 37.2 cm (16 1/4 x 14 5/8 in.)
Provenance
- Recorded Ownership History
-
Van Branteghem Collection
Warren Collection
Robinson Collection, USA
State, Edition, Standard Reference Number
- Standard Reference Number
- Beazley Archive Database #206433
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson
- Accession Year
- 1960
- Object Number
- 1960.346
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
-
On one side, two nude women, both wearing headdresses and adorned with earrings and necklaces are chased by two men nude men. The woman on the right holds a wine cup (skyphos) in her left hand and a pipe case in her right. The other woman holds up her right hand in rejection and holds a cup (kylix) in the other. The man on the left is bearded and balding with his cloak draped loosely over his shoulder, aroused. The other man is an unbearded young man with an erection wearing a garland and high boots.
On the other side, two nude men pursue a nude woman. The woman is placed in the center of the image, her body facing left and her head turned right over her shoulder as she walks. She wears a headdress and necklace and holds a large cup done in silhouette. The bearded man to the left reaches out to her, nude and holding a walking stick in his right hand. On the other side of the scene, a nude and un-bearded young man holding a wineskin stretches his arms out to her and raises his right leg, revealing his erection.
Publication History
- J. D. Beazley, Attische Vasenmaler des rotfigurigen Stils. (Tübingen, 1925), 240.10
- David Moore Robinson, Corpus Vasorum Antiquorum U.S.A.: volume 3, The Robinson Collection, Baltimore, MD, Harvard University Press (Cambridge, Massachusetts, 1938), 15-16, Pls. 6.1, 7.1
- Fogg Art Museum, The David Moore Robinson Bequest of Classical Art and Antiquities, A Special Exhibition, exh. cat., Harvard University (Cambridge, MA, 1961), p. 18, no. 106
- J. D. Beazley, Attic Red-figure Vase-Painters (Oxford, 1963), 563.8
- John Boardman, Athenian Red Figure Vases: the Archaic Period, Thames and Hudson, Ltd. (New York, 1975), fig. 319.
- Eva C. Keuls, The Reign of the Phallus: Sexual Politics in Ancient Athens (Berkeley: University of California Press, 1985), p. 17, fig. 155
- I. Peschel, "Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr." (Frankfurt, 1987), Pls. 86-87
- L. Braccesi, Veder Greco, le necropoli di Agrigento, mostra internazionale (Rome, 1988), 192, No. 57.
- Thomas Carpenter, Thomas Mannack, and Melanie Mendonca, ed., Beazley addenda : additional references to ABV, ARV² & Paralipomena, Oxford University Press (UK) (Oxford, 1989), 260
- Kenneth James Dover, Greek Homosexuality (Cambridge, MA, 1989), p. 70, Pl. R716
- M.F. Kilmer, Greek Erotica on Attic Red-Figure Vases (London, 1993), Pls. AT, P.146, R712
- Corinna Reinhardt, Schaleninnenbild und Betrachter - Präsentation weiblicher Nacktheit am Ende der Archaik und Beginn der Klassik in Athen (ca. 520-460 v. Chr.), Nacktheit – transdisziplinäre anthropologische Perspektiven (Munich, 2019), pp. 77-104, p. 83, ill. 7
- Sarah Eisen, "Reconsidering Enslaved People in Ancient Greek Art at the Harvard Art Museums", Journal of Museum Education (25 Sep 2024), pp. 1-12, pp. 6-7, fig. 2
Exhibition History
- The David Moore Robinson Bequest of Classical Art and Antiquities: A Special Exhibition, Fogg Art Museum, 05/01/1961 - 09/20/1961
- Hellenistic Greek Vases From The Province of Agrigento and Its Vicinty, Archeological Museum at Valle Dei Templi, Agrigento, 05/01/1988 - 07/30/1988
- HAA132e The Ideal of the Everyday in Greek Art (S427) Spring 2012, Harvard Art Museums, Cambridge, 01/31/2012 - 05/12/2012
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu