Harvard Art Museums > 1960.451: Statue of a Young Man or Boy Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Statue of a Young Man or Boy , 1960.451,” Harvard Art Museums collections online, Nov 17, 2024, https://hvrd.art/o/289686. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1960.451 Title Statue of a Young Man or Boy Classification Sculpture Work Type sculpture, statue Date c. 525 BCE Period Archaic period Culture Italic Persistent Link https://hvrd.art/o/289686 Physical Descriptions Medium Volcanic tuff Dimensions actual: 70.6 cm (27 13/16 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson Accession Year 1960 Object Number 1960.451 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 199012 Statue of a Young Man or Boy (Kouros) The right arm from the middle of the upper arm, the left forearm, and the legs from just above the knees are missing. A break through the waist has been mended. This small statue has been called "Sikel" sculpture as a way of explaining the awkward style and carving. The face has a strong Archaic smile with a thick lower lip. Something of this regional identification may have been conditioned by the alleged attribution of this and the following statue to inland Sicily. Material and style might better associate them with the art of the Etruscans around 500 BC, a precise date being difficult to determine because of delayed uses of current late Archaic Greek models by the sculptors of Vulci and surrounding areas. Generally speaking, were this statue to have been fashioned in Southern Italy or Sicily, as in the majority of surviving examples, it would have been carved in imported Greek marble or fashioned in terracotta. The kouros from Megara Hyblaea in Geneva was worked from marble quarried on the island of Chios (Schefold, Cahn, 1960, pp. 213-214, no. 234b, dated around 490 BC). The earlier, more famous torso from the same region, in the Museo Nazionale, Syracuse, was carved from Parian marble and has a strong resemblance to the statue discussed in the following entry (Schefold, Cahn, 1960, pp. 146, 173, no. 111a). Cornelius Vermeule and Amy Brauer Publication History Fogg Art Museum, The David Moore Robinson Bequest of Classical Art and Antiquities, A Special Exhibition, exh. cat., Harvard University (Cambridge, MA, 1961), p. 27, no. 206 Karina Turr, Fälschungen antiker Plastik seit 1800, Mann (Berlin, Germany, 1984), p. 98, no. E 3 Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 25, no. 12 Exhibition History The David Moore Robinson Bequest of Classical Art and Antiquities: A Special Exhibition, Fogg Art Museum, 05/01/1961 - 09/20/1961 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
