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Identification and Creation

Object Number
1960.460
Title
Torso of Archaic Kouroi Type
Classification
Sculpture
Work Type
sculpture
Date
c. 525 BCE
Places
Creation Place: Ancient & Byzantine World, Europe, South Italy?
Period
Archaic period
Culture
Etruscan
Persistent Link
https://hvrd.art/o/289145

Physical Descriptions

Medium
Volcanic tuff
Dimensions
110 cm h x 47 cm w x 28 cm d
(43 5/16 in. h x 18 1/2 in. w x 11 in. d)

Provenance

Recorded Ownership History
Said to have been found at Selinunte.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson
Accession Year
1960
Object Number
1960.460
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990
13

Torso of the Type Identified with Archaic Kouroi

This statue bears traces of purple paint on white underpaint. The head and lower legs are missing. There are patches on the chest repaired in plaster.

The forms of the area from the waist to the knees are suggestive of the section of a kouros found in the tumulus of Pietrera at Vetulonia and now in the Archaeological Museum, Florence. It was made of pietra fetida, a stone of local nature (Hus, 1961, pp. 30, 127-133, pl. 1).

The face of the Robinson kouros with head preserved can be paralleled in the head of a sphinx in the Musee du Louvre, from Vulci, no. 2054 (Hus, 1961, p. 42, no. 11, pl. xxiv), and a double-herm in Florence, no. 73.138, from Orvieto (Hus, 1961, p. 84, no. 1, pl. xxxvii). The first statue is made of nenfro, and the second sculpture is carved in trachyte.

In summation, the increased understanding of local, Archaic sculptures in Etruria suggest that the two Robinson statues, as well as other heretofore unclassified, "rustic" works of Archaic art in rough stones, belong in the "twilight" world (made so by illicit excavation) of Etruria, rather than in any obscure, undocumented Sicilian antiquarian "red herring" of an alleged provenance. In truth, these statues could have been set up in the same way as all the more common Etruscan animals, real and fantastic (leopards, lions, sphinxes, hippocamps, and a centaur), along the dromoi or atop the entrances of Etruscan tombs at Vulci and nearby areas.

Cornelius Vermeule and Amy Brauer

Publication History

  • Fogg Art Museum, The David Moore Robinson Bequest of Classical Art and Antiquities, A Special Exhibition, exh. cat., Harvard University (Cambridge, MA, 1961), p. 27, no. 205
  • Karina Turr, Fälschungen antiker Plastik seit 1800, Mann (Berlin, Germany, 1984), pp. 97-98, no. E 2
  • Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 26, no. 13

Exhibition History

  • The David Moore Robinson Bequest of Classical Art and Antiquities: A Special Exhibition, Fogg Art Museum, 05/01/1961 - 09/20/1961

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu