1986.563: Scaraboid Stamp Seal: Horseman Attacking Foot-soldier with Spear
Seals
This object does not yet have a description.
Identification and Creation
- Object Number
- 1986.563
- Title
- Scaraboid Stamp Seal: Horseman Attacking Foot-soldier with Spear
- Classification
- Seals
- Work Type
- seal
- Date
- 450-300 BCE
- Period
- Classical period
- Culture
- Achaemenid
- Persistent Link
- https://hvrd.art/o/289089
Physical Descriptions
- Medium
- Veined gray chalcedony
- Technique
- Intaglio
- Dimensions
- 1.8 x 2.1 x 0.8 cm (11/16 x 13/16 x 5/16 in.)
Provenance
- Recorded Ownership History
- Damon Mezzacappa, gift; to the Harvard Art Museum, 1986.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Damon Mezzacappa
- Accession Year
- 1986
- Object Number
- 1986.563
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
-
This chalcedony scaraboid stamp seal features an image of a mounted warrior attacking a foot soldier. The horse has a lumpy body, wispy legs, and a large head. There is no groundline in the scene, and it is difficult to say whether the horse is leaping or galloping. The rider wears baggy trousers and a pointed cap. In his upraised hand he holds a spear. The foot soldier stands in front of the horse with his front leg bent as if running or leaping. He holds a round shield in one hand, and a spear in the other.
The rider’s pointed cap indicates that he is an Achaemenid Persian cavalryman; the round shield carried by the foot soldier is that of a Greek hoplite soldier. A similar scene occurs among the bullae excavated at Daskyleion, near modern Badirma in northwestern Turkey (1). It also appears on other stamp seals, notably one recovered from a tomb in Bolsena, Italy (2). Another stamp seal, said to be from Ephesus in Asia Minor, has similar imagery, with the addition of a corpse beneath the rider (3). These seals were most likely made in the Achaemenid Persian Empire, where there was a tradition of representing combat between Persians and non-Persians in private art, in a variety of media (4).
NOTES
1. D. Kaptan, The Daskyleion Bullae: Seal Images from the Western Achaemenid Empire (Leiden, 2002) no. 86.
2. J. Boardman, Greek Gems and Finger Rings: Early Bronze Age to Late Classical (London, 1970) no. 881.
3. Boardman, Greek Gems, no. 974.
4. X. Wu, “‘Oh Young Man…Make Known What Kind You Are:’ Warfare, History, and Elite Ideology of the Achaemenid Persian Empire,” Iranica Antiqua 49 (2014) 209-99.
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu