1975.41.17: Tapestry Tape
Textile Arts
This object does not yet have a description.
Identification and Creation
- Object Number
- 1975.41.17
- Title
- Tapestry Tape
- Classification
- Textile Arts
- Work Type
- tapestry
- Date
- 6th-7th century
- Places
- Creation Place: Ancient & Byzantine World, Africa, Egypt (Ancient)
- Period
- Byzantine period
- Culture
- Coptic
- Persistent Link
- https://hvrd.art/o/288765
Physical Descriptions
- Medium
- Textile fibers
- Technique
- Tapestry
- Dimensions
- 43 x 9 cm (16 15/16 x 3 9/16 in.)
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of The Hagop Kevorkian Foundation in memory of Hagop Kevorkian
- Accession Year
- 1975
- Object Number
- 1975.41.17
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
- Description
- Tapestry-woven band with red and buff diaper pattern created in red wool and undyed linen.
- Commentary
-
Floral diaper patterns like the one featured on this band were common on 5-7th century mosaic pavements of the Eastern Mediterranean, as well as on contemporary silks. This textile likely represents an imitation of the designs of silk textiles in less costly materials. Bi-color silks spawned imitations in linen and wool.
See Anna Gonosova's discussion of this pattern in the Early Byzantine world, "The Formation and Sources of Early Byzantine Floral Semis and Floral Diaper Patterns Reexamined," in Dumbarton Oaks Papers vol. 41 (1987): 227-237.
A similar wool textile in the Staatliches Museum für Ägyptischer Kunst, Munich (inv. no. AS 3268) was excavated from a child’s burial at Matmar.
A similarly-patterned silk is in the Detroit Institute of Arts (47.75). Described by Hero Granger-Taylor as a seventh century silk, and "essentially a Byzantine version of Sasanian trellis design" ("Coptic Textiles in the Detroit Institute of Arts," Bulletin of the Detroit Institute of Arts 79 (2005): 53-54).
Verification Level
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu