Harvard Art Museums > 1975.41.7: Cuff Band: Knot Motif Textile Arts Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Cuff Band: Knot Motif , 1975.41.7,” Harvard Art Museums collections online, Nov 15, 2024, https://hvrd.art/o/288279. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1975.41.7 Title Cuff Band: Knot Motif Classification Textile Arts Work Type textile Date 6th-7th century Places Creation Place: Africa, Egypt Period Byzantine period Culture Byzantine Persistent Link https://hvrd.art/o/288279 Physical Descriptions Medium Linen and wool, tapestry and plain weave Technique Woven, mixed technique Dimensions actual: 20.5 x 15.6 cm (8 1/16 x 6 1/8 in.) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of The Hagop Kevorkian Foundation in memory of Hagop Kevorkian Accession Year 1975 Object Number 1975.41.7 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Cuff band made up of two parallel tapestry bands decorated with geometric designs and interlace. The central rectangle in each tapestry band contains two Solomonic knots. The central rectangle is flanked by rectangles filled with diamond and X-shaped patterns created in the flying shuttle technique of supplementary weft wrapping in undyed threads. The supplementary wefts are of different thicknesses; some are very delicate threads. Supplementary weft wrapping in dark blue yarn divides segments of the Solomonic knots. Between the two tapestry bands are 17 passes of plain weave with undyed linen weft. One of these passes contains two wefts, creating a self-band. Undyed, paired linen warps run throughout. Wefts of undyed linen and dark blue wool. Commentary These bands might have had an apotropaic function: Solomon’s knot often appeared on thresholds and was thought to be protective. Publication History Persian & Egyptian Art, Oriental Rugs, Classic & Medieval Sculptures. The Kevorkian Collection., auct. cat., American Art Association (January 20-21, 1928), p. 40-41, no. 81 Ioli Kalavrezou, Byzantine Women and Their World, exh. cat., Harvard University Art Museums (Cambridge, MA, 2003), p. 269/fig. 160 Exhibition History Byzantine Women and Their World, Harvard University Art Museums, Cambridge, 10/25/2002 - 04/28/2003 32Q: 3740 Egyptian, Harvard Art Museums, Cambridge, 11/17/2015 - 06/01/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu
