Harvard Art Museums > 1972.48: Arula Sculpture Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Arula , 1972.48,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/288170. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1972.48 Title Arula Classification Sculpture Work Type sculpture Date c. 510 BCE-490 BCE Places Creation Place: Ancient & Byzantine World, Europe Period Archaic period Culture Greek Persistent Link https://hvrd.art/o/288170 Physical Descriptions Medium Terracotta, tan porous clay with large particles of brick-red grog Technique Mold-made Dimensions H. 18 x W. 35 x D.15 cm (7 1/16 x 13 3/4 x 5 7/8 in.) Provenance Recorded Ownership History Dr. Philip Lederer, Berlin. to Charles L. Moreley. to Frederick M. Watkins,1963, bequest; to The Fogg Art Museum, 1972. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Frederick M. Watkins Accession Year 1972 Object Number 1972.48 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description Greek, Sicilian or South Italian. Mold-made relief. Yellow-gray calcium carbonate deposit obscures surface. Much of top and bottom profiles broken. No trace of fire or other sacrifical use on top. This rectangular "arula", or small altar, has concave sides and simple projecting profiles at top and bottom. On the top left profile are two squares of meander pattern. The front shows, under an arching vine, a silen walking to the right, looking back, with a tall-handled kantharos in his extended right hand and a branch in his left. He is followed by a horse carrying a maenad and a small silen or satyr. His right foot is human, his left equine or incomplete. The maenad, dressed in an overgirt "chiton" rather than the customary tight "peplos," seems to drop the reins from her raised left hand as she glides off the horse. Her bent right arm is intertwined with the left arm of a small satyr, who clutches the tail of the horse with his right hand. He has a short, erect penis. The horse, with arching neck, paws the ground as a cheetah passes under his nose, chasing a hare that looks back over its shoulder. Publication History The Frederick M. Watkins Collection, exh. cat., Fogg Art Museum (Cambridge, MA, 1973), p. 32-33, no. 11. Exhibition History The Frederick M. Watkins Collection, Fogg Art Museum, Cambridge, 01/31/1973 - 03/14/1973 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 01/07/2016 - 05/08/2016 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu