Harvard Art Museums > 1972.326: Antefix in the Form of the Head of a Satyr Architectural Elements Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Antefix in the Form of the Head of a Satyr , 1972.326,” Harvard Art Museums collections online, Dec 22, 2024, https://hvrd.art/o/287380. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1972.326 Title Antefix in the Form of the Head of a Satyr Classification Architectural Elements Work Type architectural element Date c. 470 BCE-450 BCE Places Creation Place: Ancient & Byzantine World, Europe, Tarentum (Apulia) Period Classical period, Early Culture Greek Persistent Link https://hvrd.art/o/287380 Physical Descriptions Medium Polychromed terracotta Technique Mold-made Dimensions H.18.5 x W. 14.5 cm (7 5/16 x 5 11/16 in.) Provenance Recorded Ownership History [A. Emmerich Gallery, New York, NY], sold; to Frederick M. Watkins, Providence, RI (by 1972), bequest; to the Fogg Art Museum, 1972. Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Frederick M. Watkins Accession Year 1972 Object Number 1972.326 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Description This mold-made terracotta antefix represents the head of a satyr. The eyes are wide, the nose is broad, and the plump lips are closed. The features are in low relief with remains of red, yellow, and brown pigment. The antefix likely comes from a larger plaque that would have decorated the roof of a temple or other architectural structure. Publication History Dr. Herbert A. Cahn, Art of Ancient Italy: Etruscans, Greeks, and Romans, exh. cat., André Emmerich Gallery (New York, NY, 1970), p.35, no. 47. The Frederick M. Watkins Collection, exh. cat., Fogg Art Museum (Cambridge, MA, 1973), pp. 34-35, no. 12. Caroline Houser, Dionysos and His Circle: Ancient Through Modern, exh. cat., Fogg Art Museum (Cambridge, 1979), no. 34. David Gordon Mitten and Amy Brauer, Dialogue with Antiquity, The Curatorial Achievement of George M. A. Hanfmann, exh. cat., Fogg Art Museum (Cambridge, MA, 1982), p. 13, no. 29. Stephen R. Wilk, Medusa: Solving the Mystery of the Gorgon, Oxford University Press (UK) (Oxford, NY, 2000), p. 166, fig. 9.6 Exhibition History The Frederick M. Watkins Collection, Fogg Art Museum, Cambridge, 01/31/1973 - 03/14/1973 Dionysos and His Circle: Ancient through Modern, Fogg Art Museum, Cambridge, 12/10/1979 - 02/10/1980 Dialogue with Antiquity: The Curatorial Achievement of George M.A. Hanfmann, Fogg Art Museum, 05/07/1982 - 06/26/1982 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 01/07/2016 - 05/08/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu