Harvard Art Museums > 1995.844.22: Fist-Shaped Amulet Amulets Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Fist-Shaped Amulet , 1995.844.22,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/287303. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1995.844.22 Title Fist-Shaped Amulet Classification Amulets Work Type amulet Date 1st-3rd century CE Places Creation Place: Ancient & Byzantine World Period Roman Imperial period Culture Roman Persistent Link https://hvrd.art/o/287303 Physical Descriptions Medium Copper alloy Technique Cast, lost-wax process Dimensions 1.6 x 0.6 x 0.4 cm (5/8 x 1/4 x 1/8 in.) Technical Details Technical Observations: The patina is dark greenish black. The details seem crisp, and the surface is mostly smooth, although there are also some green corrosion accretions. Only a few areas of the surface are visible, as much of it is covered with gray burial remains, some of which have a glassy appearance. The black copper sulfide crystal growth is from the post-excavation storage environment. The object was cast in one piece by the lost-wax process. Francesca G. Bewer (submitted 2012) Acquisition and Rights Credit Line Harvard Art Museums/Arthur M. Sackler Museum, Gift of David and Genevieve Hendin Accession Year 1995 Object Number 1995.844.22 Division Asian and Mediterranean Art Contact am_asianmediterranean@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums This amulet consists of a small fist making the fica gesture at the end of a short loop (1). A raised torus separates the loop from the fist. Phallic amulets could have decorated a variety of objects, from horse trappings to lamps (2). Their symbolism provided them with an apotropaic, protective function (3). NOTES: 1. For more on the fica gesture, see S. Seligmann, Der böse Blick und Verwandtes: Ein Beitrag zur Geschichte des Aberglaubens aller Zeiten und Völker (Berlin, 1910) 186-88, figs. 175-79. 2. P. M. Allison, The Insula of the Menander at Pompeii 3: The Finds (Oxford, 2006) 33. For lamps, see L. Pirzio Biroli Stefanelli, ed., Il bronzo dei Romani: Arredo e suppellettile (Rome, 1990) 190 and 270, no. 55, figs. 161-62, where a triple amulet is part of an elaborate hanging lamp, which also includes several bells and an ithyphallic figurine. 3. M. Kohlert-Németh, Römische Bronzen 1: Aus Nida-Heddernheim, Götter und Dämonen, Archäologische Reihe 11 (Frankfurt am Main, 1988) 66-68. Lisa M. Anderson Subjects and Contexts Ancient Bronzes Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu