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Identification and Creation

Object Number
1979.414
Title
Small Head of a Boy
Classification
Sculpture
Work Type
sculpture, head
Date
c. 250-260 CE
Period
Roman Imperial period, Late
Culture
Roman
Persistent Link
https://hvrd.art/o/287004

Physical Descriptions

Medium
Marble
Dimensions
9.6 cm (3 3/4 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. and Mrs. Charles Dikran Kelekian in honor of Professor George M.A. Hanfmann
Accession Year
1979
Object Number
1979.414
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Published Catalogue Text: Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums , written 1990
141

Small Head of a Boy

The surfaces are slightly damaged and abraded. The end of the nose is missing. Drill points have been used in the ears and the tearducts of the eyes. The marble is from the northern Greek islands or western Asia Minor.

The boy has short hair, not deeply incised, and somewhat puffy jowls. The pupils of the eyes were doubtless finished in paint and seem to have been lightly incised, with large circles. The hair lies like a tight-fitting cap around the head.

The small size of this portrait suggests it was made as a memorial in a household shrine or a dedication at a small sanctuary, or in a tomb of modest proportions. It may have come from a draped figure standing in an aedicula or niche.

A slightly larger head of an older man, in the Museum of Fine Arts, Boston, comes from central Italy and could well have been made at the same time, for the same purpose (Comstock, Vermeule, 1976, p. 240, no. 376). Among the many comparable contemporary heads of Roman boys in the age of Imperial crisis, there is a head in the Ny Carlsberg Glyptotek, Copenhagen (no. 766b), which Vagn Poulsen has identified as a novice in the cult of Isis, because of the long ringlets at the back, and as from the Greek provinces of the empire, because of the style (Poulsen, V., 1974, pp. 181-182, no. 187, pl. CCCIV). If the head in the Prince of Hesse's collection at Schloss Fasanerie near Fulda is really Severus Alexander between A.D. 223-225, then the Harvard portrait could be earlier and perhaps have Imperial connections (Heintze, 1968, pp. 69-70, 107, no.l 46, pls. 76, 132 a-c). Once the simple, veristic style of the post-Severan-baroque third century was established, portraits of boys aged about ten to fourteen tended to take on a certain timelessness, depending mostly on physical characteristics for individuality. Such seems to be the case here.

Cornelius Vermeule and Amy Brauer

Publication History

  • Fogg Art Museum, Fogg Art Museum Annual Report, 1978-1980 (Cambridge, MA, 1982), pp. 42, 72, 173
  • Rolf Winkes and David Winton Bell Gallery, Portraits and Propaganda: Faces of Rome, exh. cat., Brown University (Providence, RI, 1989), pp. 140-141, no. 132
  • Cornelius C. Vermeule III and Amy Brauer, Stone Sculptures: The Greek, Roman and Etruscan Collections of the Harvard University Art Museums, Harvard University Art Museums (Cambridge, MA, 1990), p. 154, no. 141
  • [Reproduction Only], Persephone, Vol. 11, No. 1, Spring 2011, p. 72.

Exhibition History

  • Portraits and Propaganda: Faces of Rome, David Winton Bell Gallery, Providence, 01/21/1989 - 03/05/1989

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu