Harvard Art Museums > P1996.22: Ambiguous Beauty/Amimai-no-bi Photographs Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Ambiguous Beauty/Amimai-no-bi (Yasumasa Morimura) , P1996.22,” Harvard Art Museums collections online, Nov 05, 2024, https://hvrd.art/o/282962. This object does not yet have a description. Identification and Creation Object Number P1996.22 People Yasumasa Morimura, Japanese (1951 - ) Title Ambiguous Beauty/Amimai-no-bi Classification Photographs Work Type photograph Date 1995 Places Creation Place: East Asia, Japan Culture Japanese Persistent Link https://hvrd.art/o/282962 Physical Descriptions Technique Photomechanical print Dimensions actual: 29.5 x 50 x 3 cm (11 5/8 x 19 11/16 x 1 3/16 in.) Provenance Recorded Ownership History Anonymous Owner, gift from the Peter Norton Family Christmas Proj, 1995, gift to the Harvard University Art Museums, 1996. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Anonymous Gift in honor of Branden W. Joseph Accession Year 1996 Object Number P1996.22 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Richard Francis and Fumio Nanjo, A Cabinet of Signs: Contemporary Art from Post-Modern Japan, exh. cat., Tate Liverpool (Liverpool, England, 1991) Norman Bryson, "Yasumas Morimura: Mother (Judith II)", Artforum International (January 1994), 70-71 Inside Out: Contemporary Japanese Photography, exh. cat., The Light Factory Photographic Arts Center (Charlotte, NC, 1994) Exhibition History About Face: Artist's Portraits in Photography, Harvard University Art Museums, Fogg Art Museum, Cambridge, 07/19/1997 - 10/12/1997 Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu