Harvard Art Museums > P1995.254.28: Traces d'oiseaux, Camargue Photographs Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Traces d'oiseaux, Camargue (Lucien Clergue) , P1995.254.28,” Harvard Art Museums collections online, Nov 23, 2024, https://hvrd.art/o/282598. This object does not yet have a description. Identification and Creation Object Number P1995.254.28 People Lucien Clergue, French (Arles, France 1934 - 2014 Nîmes, France) Title Traces d'oiseaux, Camargue Other Titles Series/Book Title: Langage des sables, 1975 Classification Photographs Work Type photograph Date 1974 Culture French Persistent Link https://hvrd.art/o/282598 Physical Descriptions Technique Gelatin silver print Dimensions image: 49.4 x 38.7 cm (19 7/16 x 15 1/4 in.) Inscriptions and Marks Signed: Lucien Clergue. inscription: inscribed in graphite beneath the image in the lower left of the mount: 1/20; inscribed in graphite beneath the image in the lower center of the mount: 28; inscribed in graphite beneath the image in the lower right of the mount: Lucien Clergue. Provenance Recorded Ownership History Willy and Charlotte Reber, Valbella, Switzerland, from the artist, gift to the Harvard University Art Museums, 1995. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, The Willy and Charlotte Reber Collection, Gift of Charlotte Reber Copyright © Lucien Clergue Estate / Artists Rights Society (ARS), New York, NY / SAIF, Paris Accession Year 1995 Object Number P1995.254.28 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Lucien Clergue, Langage des Sables, Editions Agep (Marseille, France, 1980) Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu