Harvard Art Museums > P1995.28.8: Un derechazo de D. Puerta à Nîmes Photographs Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Un derechazo de D. Puerta à Nîmes (Lucien Clergue) , P1995.28.8,” Harvard Art Museums collections online, Nov 21, 2024, https://hvrd.art/o/279886. This object does not yet have a description. Identification and Creation Object Number P1995.28.8 People Lucien Clergue, French (Arles, France 1934 - 2014 Nîmes, France) Title Un derechazo de D. Puerta à Nîmes Other Titles Series/Book Title: Tauromachies I, 1965 Classification Photographs Work Type photograph Date 1962 Culture French Persistent Link https://hvrd.art/o/279886 Physical Descriptions Technique Gelatin silver print Dimensions image: 50 x 40.5 cm (19 11/16 x 15 15/16 in.) Inscriptions and Marks Signed: L. Clergue. inscription: inscribed in black ink on verso, lower right: L. Clergue. Provenance Recorded Ownership History Willy and Charlotte Reber Collection, gift to Fogg Art Museum, 1995. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, The Willy and Charlotte Reber Collection, Gift of Charlotte Reber Copyright © Lucien Clergue Estate / Artists Rights Society (ARS), New York, NY / SAIF, Paris Accession Year 1995 Object Number P1995.28.8 Division Modern and Contemporary Art Contact am_moderncontemporary@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Jean-Marie Magnan and Jean Cocteau, Toros Muertos, Ernst Battenberg Verlag (Stuttgart, Germany, 1963) Paco Tolosa and Robert Marteau, El Cordobès: 77 Photographies de Lucien Clergue, La Jeune Parque (Paris, France?, 1965) Jean-Marie Magnan, le quart d'heure du taureau, Editions de Chêne (Paris, France, 1976) Verification Level This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu