G4918: The Incredulity of Thomas ("Christ Appearing to the Apostles")
Prints
This object does not yet have a description.
Identification and Creation
- Object Number
- G4918
- People
-
Rembrandt Harmensz. van Rijn, Dutch (Leiden 1606 - 1669 Amsterdam)
- Title
- The Incredulity of Thomas ("Christ Appearing to the Apostles")
- Other Titles
- Alternate Title: Christ Appearing to the Apostles
- Classification
- Prints
- Work Type
- Date
- 1656
- Places
- Creation Place: Europe, Netherlands
- Culture
- Dutch
- Persistent Link
- https://hvrd.art/o/279722
Physical Descriptions
- Medium
- Etching with plate tone on white antique laid paper
- Technique
- Etching
- Dimensions
- plate: 16.5 × 21.4 cm (6 1/2 × 8 7/16 in.)
- Inscriptions and Marks
-
- inscription: in plate, lower center: Rembrandt. f. 1656
- countermark: center: HP countermark [Hinterding v. 2, p. 77, HP.zz.]
- collector's mark: verso, brown ink: J:B_ [John Barnard (Lugt 1419)]
- inscription: verso, red chalk: Gersaint 68 [struck through]
- inscription: verso, various graphite inscriptions, many of which seem to have been reduced to the state of virtual illegibility: 68 [crossed out] / [illeg. but perhaps "og"] / 76. / 530g [underlined] / Cg 93 / B 89 / A.A.2[?] k_ / Du Cab. John Barnard ["Barnard" underlined] / 667 / H d[?] 68 / N r. 76 [struck through] / H.64
- collector's mark: verso, black stamp: KEvLiphart [Karl Eduard von Liphart (Lugt 1687)]
- collector's mark: verso, purple stamp with graphite numbering within: [Gray Collection accession stamp (Lugt 4836)] 4918
State, Edition, Standard Reference Number
- State
- only state
- Standard Reference Number
- New Hollstein 296, Bartsch 89, Hind 237 only state, R. 89
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund
- Object Number
- G4918
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Ivan Gaskell, Rembrandt and the Aesthetics of Technique, brochure, Harvard University Art Museums (Cambridge, MA, 2006), checklist
Exhibition History
- Rembrandt and the Aesthetics of Technique, Harvard University Art Museums, Busch-Reisinger Museum, 09/09/2006 - 12/10/2006
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu