G1055: Adam and Eve
PrintsA nude male figure (Adam) stands on the left looking towards a nude female figure (Eve) to the right. His right hand holds onto a branch, a bird is perched to left of his head. Adam’s left arm extends toward Eve. Eve’s left hand is slightly behind her back holding a fruit, her other hand is receiving another piece of fruit from a snake coiled around a branch between them. Other animals are depicted at the bottom: a mouse, its stretched tail is under Adam’s left foot, a sleeping cat in the middle; a rabbit, and two horned animals behind the tree.
Identification and Creation
- Object Number
- G1055
- People
-
Albrecht Dürer, German (Nuremberg 1471 - 1528 Nuremberg)
- Title
- Adam and Eve
- Other Titles
- Alternate Title: The Fall of Man
- Classification
- Prints
- Work Type
- Date
- 1504
- Culture
- German
- Persistent Link
- https://hvrd.art/o/274094
Physical Descriptions
- Medium
- Engraving printed in black ink on white antique laid paper, lined
- Technique
- Engraving
- Dimensions
- sheet: 25.1 × 19.2 cm (9 7/8 × 7 9/16 in.)
- Inscriptions and Marks
-
- watermark:
- inscription: verso, graphite: fr Ev. [Evans] Apr. 56 / £ [illeg.] 15.15
- collector's mark: verso, graphite: E. H. G. [Edward Hale Greenleaf (Lugt 5207)]
- collector's mark: verso, purple stamp with graphite numbering within: GRAY COLLECTION, / Harvard College / 1055 [within an oval borderline (Lugt 4836)]
- inscription: in plate, on tablet hanging from tree: ALBERT9 / DVRER / NORICVS / FACIEBAT / 1504
Provenance
- Recorded Ownership History
-
Francis Calley Gray, bequest to nephew, 1856.
William Gray, gift to Harvard University, 1857.
State, Edition, Standard Reference Number
- State
- Meder iia/iiid
- Standard Reference Number
- Bartsch 1, Schroch 39, Meder 1
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
- Object Number
- G1055
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- Reimagining the Past: André Brink in Conversation with Reingard Nethersole, T'kama-Adamastor: Inventions of Africa in a South African Painting, ed. Ivan Vladislavic, University of the Witwatersrand (Johannesburg, South Africa), p. 53, fig. 79, p. 53, fig. 79
- Jonathan Shaw and Jennifer Carling, "Spheres of Knowledge: Artistic discovery in Renaissance Europe", Harvard Magazine (Cambridge, MA, November-December 2011), vol. 114, no. 2, pp.42-47, p 46
- Susan Dackerman, ed., Prints and the Pursuit of Knowledge in Early Modern Europe, exh. cat., Harvard Art Museums (Cambridge, MA, 2011), cat. 53 p. 234-235, repr
Exhibition History
- Northern Renaissance Art: Selected Works, Busch-Reisinger Museum, Cambridge, 02/28/1984 - 04/08/1984
- Fine Art for Harvard: The Gray Collection of Engravings, Fogg Art Museum, 09/02/1986 - 11/02/1986
- Prints and the Pursuit of Knowledge in Early Modern Europe, Harvard Art Museums, Cambridge, 09/06/2011 - 12/10/2011; Mary and Leigh Block Museum of Art, Evanston, 01/17/2012 - 04/08/2012
- 32Q: 3620 University Study Gallery, Harvard Art Museums, Cambridge, 02/11/2015 - 05/10/2015
- Adam and Eve, Harvard Art Museums, Cambridge, 09/01/2018 - 01/06/2019
- A Colloquium in the Visual Arts, Harvard Art Museums, Cambridge, 08/27/2022 - 12/30/2022
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu