Harvard Art Museums > G601: Temptation of Saint Anthony Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Temptation of Saint Anthony (Jacques Callot)(Published by Israël Henriet) , G601,” Harvard Art Museums collections online, Apr 24, 2024, https://hvrd.art/o/273510. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number G601 People Jacques Callot, French (Nancy 1592 - 1635 Nancy) Published by Israël Henriet, French (1590 - 1661) Title Temptation of Saint Anthony Classification Prints Work Type print Date 1635 Culture French Persistent Link https://hvrd.art/o/273510 Physical Descriptions Medium Etching on cream antique laid paper Technique Etching Dimensions sheet: 36 x 47 cm (14 3/16 x 18 1/2 in.) Inscriptions and Marks inscription: etched in plate, lower center: Cum Privil Reg. Israel excu 1635 Provenance Recorded Ownership History Francis Calley Gray, bequest to nephew, 1856. William Gray, gift to Harvard University, 1857. State, Edition, Standard Reference Number State iii/v Standard Reference Number Meaume 139; Lieure vol III, pp. 93-95, no. 1416 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray Object Number G601 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History French Caricature and the French Revolution, 1789-1799, exh. cat., Grunwald Center for the Graphic Arts, Frederick S. Wight Art Gallery, University of California at Los Angeles, and Bibliothèque Nationale de France (Los Angeles, 1988), repr. as fig. 4a on p. 72 [not Harvard impression, related bibliography] Carl Goldstein, Print culture in early modern France: Abraham Bosse and the purposes of print, Cambridge University Press (Cambridge; New York, 2011), repr. as fig. 29 on p.77 [not Harvard impression, related bibliography] Exhibition History Beyond Bosch: The Afterlife of a Renaissance Master in Print, Harvard Art Museums, Cambridge, 01/23/2016 - 05/08/2016 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
